By Luke Abbott
Tomb Raider is back, with a brand new story. The series is on shaky ground right now, not winning over any new fans, but partially annoying the current Tomb Raider crowd. A new story could be just the ticket to make Gail Simone’s series feel more best-selling.
While trekking through Snowdon, commemorating a touching childhood moment she had with Roth, Lara is struck with a vision. The vision includes her dead friend, Alex, begging her to save his sister who is in peril from something. Lara makes a few phone calls and discovers that his sister is currently in the Ukraine. Her search leads her to Chernobyl, where it becomes clear she is stumbling upon something big, especially when strange Americans start asking questions about her all over the globe. It is a hit and miss start to the story, touching upon a couple of my pet story-telling peeves. One is the whole adventure kicking off, because of a vision. It is probably meant to tie in with the new Rise of the Tomb Raider trailer, where she visits a psychiatrist, but I felt the scene was too heavy-handed and convenient. I wasn’t sold. Also, we are still mentioning Yamatai and reintroducing us to the game’s characters every few moments. On the bright side, it does seem like Simone is trying to write them off, with Lara making the decision to go out on her own, rather than risking her friends. Yes, this issue has some big problems, but I am going to call this first issue syndrome and hope that its job was to rush through the necessary exposition and set up a good five issues of action.
My opinion of Dark Horse’s Tomb Raider is a weird one. I like it. I really do. It always seems to go off in the wrong direction (Yamatai as a plot point, needless flashbacks), but the core design (pun for the true fans), of this comic always shows promise. The dialogue is sharp, the action is crisp and Simone always finds time for Lara to be Lara (e.g.: the wolves!). There is the sense that this is the Tomb Raider comic we want, but we are just reading a rare, weak story. This is why the next few issues will be very important for the readers: was Gail Simone’s first story merely setting up the real comics she wants to write, or is this a series we could be better off dropping from our monthly costs?
Quote of the Issue:
American Detective: Why don’t you make me one of those delicious wheatgrass teas, pour it in the garbage and bring me a beer?