Daniel Cole brings you episode #009 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

This week is all about variety. From futuristic law enforcers to Oz, the selection is nothing less than eclectic. So how did they do?

TRILLIUM #1 – VERTIGO (DC COMICS)

Written by Jeff Lemire
Art by Jeff Lemire & José Villarrubia

Jeff Lemire marks his return to original stories with this new Vertigo title. Trillium is a science fiction tale that is intended to be an emotional roller-coaster. But does this highly publicised title live up to all the hype?

Well it is halfway there. Lemire has definitely crafted a tale that engages the reader and there is a lot here that makes you want to return for the next issue. However over-familiar ideas, inconsistent pacing and heavy-handed exposition burden it.

The general idea of having two characters from different time periods that are destined to fall in love is not an original concept, but Lemire will hopefully overcome this in coming issues. The first issue’s split narrative at least shows that Lemire is attempting to give some depth to the concept.

But the problem is that there are elements to the narrative that seem predictable due to their familiar nature. Giving the scientist from the future a storyline that ties into the survival of humanity will inevitably lead to complications between the two characters. Also having the soldier suffering mental anguish due to the events of WWI doesn’t exactly scream original characterisation.

But at least Lemire’s art gives the book a very unique look. Even though the art is often rough there is a charm inherit in the visuals. The world building from the pencils is strong and the characters are distinct and emotive. The art is easily the books greatest selling point.

So, Trillium has little in the way of originality as Lemire borrows heavily from a plethora of sources. But this doesn’t mean that the book isn’t a solid read. The art gives the title an edge that enhances the story. It clearly needs time to grow, but for now it is a perfectly fine issue one that will entertain most readers.

SIX SHOOTER RATING – HIT

THE EMERALD CITY OF OZ #2 – MARVEL COMICS

Written by Eric Shanower
Art by Skottie Young & Jean-François Beaulieu

Marvel continue adapting L. Frank Baum’s Oz books and in doing so they are giving Skottie Young a playground for his talents.

Make no mistake this comic is all about Young’s art. With the aid of Jean-François Beaulieu’s colours, the art of this book is something to behold. A true cartoon vision of the whacky world of Oz. Young’s character designs are perfect for the source material, as we get to see even more of Oz’s populace this issue. Even something as simple as a chicken has an animated charm to it in Young’s hands. The book is vibrant, colourful and eye catching. Baum’s world has never looked this good.

Eric Shanower’s script isn’t bad either as he continues to build on the plot. He uses Dorothy’s aunt and uncle as a means to explore the Emerald City. He actually delves into the society of the city, even if it is simplistic.

This comic is perfect for children of all ages as the fantastical world Baum’s created is brought to vivid life thanks to a great creative team. It maybe a little simplistic for the mature reader, but there is a lot to get out of Young’s artwork.

SIX SHOOTER RATING – HEADSHOT

MEGA MAN #28 – ARCHIE COMICS

Written by Ian Flynn
Art by Ryan Jampole, Gary Martin & Matt Herms

The popular videogame character’s adventures are given the comic book treatment. And he really suits the medium.

This title is literally a Saturday morning cartoon show in comic book form. This is mainly due to the colourful cartoony art. Ryan Jampole is faithful to the videogame’s style, but still manages to do a lot of characterisation with these ridiculous looking creations. It is clearly aimed at a younger audience and the art directly engages with that audience.

The story continues some plot developments from last issue, but it’s the perfect jumping on point for new readers. A new villain is revealed, Mega Man fights his brother and the world goes dark.

The only downside is that there isn’t anything for older readers, unlike The Emerald City Of Oz, which could be appreciated for its artistic merits. Fans of Mega Man might approve, however it isn’t exactly sophisticated reading. But it is a bright and fun comic that will entertain its target audience.

SIX SHOOTER RATING – HIT

SHELTERED #2 – IMAGE COMICS

Written by Ed Brisson
Art by Johnnie Christmas & Shari Chankhamma

With a twist cliff-hanger last issue, we find out what is in store for our characters now that the kids are in charge.

Sheltered is a book with a solid concept as its foundation. What Brisson, Christmas and Chankhamma have done is created a scenario that has tension, action, characterisation and thematic strands. Sheltered is quite simply a compelling read.

Brisson uses this second issue to play up the grief and confusion of the main characters, with the exception of Lucas. As the books antagonist Lucas comes across as a calm and charismatic psychopath, which makes him quite the terrifying adversary for our hero Victoria. However she is also well defined as a genuinely strong and determined character.

Brisson’s script is very layered and well paced. It moves forward quickly and keeps the reader engaged throughout. He moves the main plot along and sets up a lot of subplots. The cracks are starting to form as Lucas’ plan has a hiccup and the last page “fight back” moment is well stage, getting the reader rooting for Victoria without milking the scene.

Johnnie Christmas does some great work here. His pencils do as much characterisation as Brisson’s script. Christmas really highlights Lucas’ character with his pencils, showing his dead eyes. Also framing him with the fire creates some of the books best images. In fact any scene with the fire is drawn in such a way to make it utterly unnerving. This is also helped by Shari Chankhamma’s colour work. The stark contrast between the warm fire and the cool surroundings allows Chankhamma to give the book a distinct visual tone to the art and shows the reader how bleak a world the characters live in.

Sheltered has it all. A compelling narrative that is exciting to watch unfold. A layered protagonist you can get behind and a villain that has depth. With perfectly executed art, that adds to the overall experience. This title is the complete package and should be on everyone’s pull list.

SIX SHOOTER RATING – HEADSHOT

LORDS OF MARS #1 – DYNAMITE ENTERTAINMENT

Written by Arvid Nelson
Art by Roberto Castro & Alex Guimaraes

What do you get when you team Tarzan up with John Carter?

This dismal first issue of a crossover that doesn’t even have the decency to actually have the main characters cross paths. Instead we are given a look at how moralistically superior the man from the jungle is compared to the “civilised” upper class of England. If that doesn’t quite signal that this issue has problems, then writer Arvid Nelson only briefly visits John Carter for a mundane scene that is clearly setting up plot elements.

The problem is that the script is a dud and the characters are almost cartoonish in their depictions. Tarzan is a bland protagonist in Nelson’s script and he dominates most of the title. It is fair that Nelson wants to take his time with his script, but this is treading water and it is only issue one.

Roberto Castro’s art doesn’t fair any better. The bulging eyes that a lot of characters have are distracting and in general the facial work is inconsistent (just how big is Tarzan’s forehead?). The action is well choreographed though and there is a glimmer of creativity once the book moves to Mars. But on the whole the art is mediocre.

With a script that fails to even deliver an interesting narrative and lacklustre art, Lords Of Mars is off to a terrible start. There is literally nothing in this comic that will make readers want to come back for issue 2.

SIX SHOOTER RATING – MISFIRE

ROBOCOP: LAST STAND – BOOM! STUDIOS

Written by Steve Grant (Story by Frank Miller)
Art by Korkut Öztekin & Michael Garland

Bringing Frank Miller’s famously unproduced script to life is in itself a good idea. Fans of the series will be intrigued and its good publicity for Boom! However the actual product is a tired formulaic piece that doesn’t have the same cult sparkle that the original film had.

It would be unfair to compare issue one to the original film, but it doesn’t exactly sell itself on its own merits. The violence, foul language, satirical adverts and grim future of Robocop’s world are all accounted for. But it all feels too forced, too manufactured. Steven Grant’s adaptation suffers from Miller’s brand of storytelling. To say the book feels dated is an understatement. It isn’t a nice homage to the past; it is in fact a tired relic that shows up how unsophisticated this type of material can be. Its all flash and gore, with no substance.

It doesn’t help that Korkut Öztekin’s art is ugly. It is so bad that the book would read better if it were just a script, so the hideous pencils wouldn’t constantly distract the reader. There is no sense of proportion to the characters, the layouts are pedestrian and the thick inking makes the art look rushed. The fact that it wants to be visually dark and gritty is in conflict with the bright white guttering that frames the whole book.

This is a comic that is a mess both narratively and visually. Fans of the series may want to check this out, but it is a title best avoided.

SIX SHOOTER RATING – MISFIRE

VERDICT

So two headshots are cancelled out by two misfires. But with two hits we can declare this week another success.

Do you agree with the reviews? Did we get them wrong or right? Have any suggestions on what we should review next week? Get in touch in the comments below.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Daniel Cole brings you episode #008 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

This week DC Comics begins its restoration of its Vertigo Imprint, as two new comics hit the shelves. Are they any good? Find out below! (Also other comics were released this week)

TOM STRONG AND THE PLANET OF PERIL #1 – VERTIGO (DC COMICS)

Hogan’s intentions maybe to deliver a tongue-in-cheek play on pulp science fiction heroes, but he doesn’t succeed.

Written by Peter Hogan
Art by Chris Sprouse, Karl Story & Jordie Bellaire

Alan Moore’s science hero returns for an all new adventure. Co-creator Chris Sprouse is back on art and is joined by frequent Tom Strong writer Peter Hogan.

As a first issue Hogan does do his best to get everyone up to speed on the characters, but the book seems to place the reader halfway through the story. Of course a lot of Tom Strong stories have been published since he first appeared in 1999, but it may have been helpful to cater for the new reader as well as the long time fan. Key character points seem to be missing.

The actual narrative isn’t bad, but doesn’t really do anything outside of set the plot of the series in motion. The stakes are only there because Hogan tells you to care, but he doesn’t give the characters enough depth to connect to them, which is surprising as the book is one hell of an exposition trip. But Hogan’s dialogue is stilted at best (especially everything Val says) and although it maybe intentional on his part, it drags the book down.

Also when the book goes all meta it really hampers the narrative progression. Although it is a nice idea of having Terra Obsucra in the book as a chronicle for another planet, the way in which Hogan presents it is more akin to self-promotion. And the less said about what he thinks about comic book writers the better.

Chris Sprouse has little to do here. But his pencils are still extremely expressive and visually compelling. The characters look like action figures and although the world isn’t fully formed, Sprouse at least tries to detail what he can. It is his pencils that are the comic’s redeeming feature.

Hogan’s intentions maybe to deliver a tongue-in-cheek play on pulp science fiction heroes, but he doesn’t succeed. Aside from the art this is a book that has flat characters and a mediocre plot.

SIX SHOOTER RATING – MISS

COLLIDER #1 – VERTIGO (DC COMICS)

Written by Simon Oliver
Art by Robbi Rodriguez & Rico Renzi

Collider is a science fiction comic that has a solid concept, detailed characters and some mystery.

Sometimes it seems hard for a new book to actually come across as a compelling read. But Simon Oliver effortlessly makes Collider a book you take notice of. Of course it isn’t all Oliver as Robbi Rodriguez’s dynamic art and Rico Renzi’s colours add layers to the book.

Oliver creates his world, defines his characters and sets his plot in motion with such nuance that it is impressive. Granted the exposition heavy moments of dialogue can become too much, but they are at least necessary. The characters are the most impressive things in the scripts as they walk onto the page as complete people with motivations, likes and dislikes. There is definitive effort on Oliver’s part to get the reader behind these characters; especially the books lead Adam Hardy. Hardy maybe a familiar character type, but Oliver makes him compelling as opposed to cliché.

Rodriguez gives the book a distinct look and his character work is detailed and unique. There is a lack of background detail, but Renzi deals with that. His colour work makes the book pop. It’s vibrant and gives the art a sense of depth. Renzi enhances Rodriguez’s art, and together they have created a great visual place for Oliver’s story to take place.

It has a few problems when it comes to exposition, but on the whole this is a successful book that manages to accomplish everything an issue one needs to do. Definitely a comic you should keep your eye on.

SIX SHOOTER RATING – HIT

HIGH CRIMES #4 – MONKEY BRAIN COMICS

It is more than just a simple mystery tale; it is an exploration of character.

Written by Christopher Sebela
Art by Ibrahim Moustafa

High Crimes has been an intriguing comic from day one. It is more than just a simple mystery tale; it is an exploration of character.

Christopher Sebela does a lot with Zan and Mars this issue. Zan continues to be a well-rounded female protagonist. She’s intelligent, has guts and it’s refreshing to read a strong female character in this type of tale. Of course the title also looks into Mars and in this issue he comes to some realisations about his life. There is a lot of powerful emotional scenes that deal with Mars here and Sebela allows Ibrahim Moustafa to subtly depict them.

The deepening mystery of the plot continues to intrigue. A lot of elements are still in play and Sebela actually has his characters inform the plot as oppose to having the plot become the main focus. This gives the narrative a sense that there is danger and risk around the corner for Zan and co.

Moustafa is a great character artist, but his detailed backgrounds and world building are what impress the most. He is an excellent visual storyteller and the way in which he positions his panels evokes the look of a television show. This TV-esque presentation actually lends itself well to the story and gives the book an aspect of realism that is interesting. However the best piece of art is actually the front cover, which literally depicts Zan travelling in the footsteps of Mars. It is a gorgeous image and is the best cover of the week.

So, High Crimes continues to be a satisfying comic. Its character work is excellent and the narrative is engaging. The art continues to impress as well. This is definitely a book that people should checkout.

SIX SHOOTER RATING – HEADSHOT

GUARDIANS OF THE GALAXY #5 – MARVEL COMICS

After all the hype Angela finally makes her debut in Guardians Of The Galaxy.

Written by Brian Michael Bendis (with Neil Gaiman as a consultant)
Art by Sara Pichelli & Justin Ponsor

After all the hype Angela finally makes her debut in Guardians Of The Galaxy. Was it worth the hype?

The quick answer to that question is no. But that is only a snap judgement taking into account what is presented to the readers in this issue. She does little more than fight and beat Gamora, but her worth to the title will probably become evident in the next few issue. As for now her big arrival is more of a whimper than a bang.

This is actually a good thing as Bendis gets to have more time with the actual Guardians. Bendis script is extremely witty this issue and Rocket Raccoon gets some great one liners. The interplay between Rocket and Tony Stark is the best part of the issue. Bendis plays on the fact that Stark’s famous technology is light years behind anything Rocket has. It makes for some great humour. Peter Quill is still getting some great depth from Bendis, but his part in the book is to move the overall plot forward. Unfortunately Drax and Groot are neglected a bit. The appearance of Mantis was a nice addition to the comic and her scene with Quill was in keeping with the lighthearted tone of the book.

The plot directly addresses events from Age Of Ultron, which at least contextualises the importance of time being abused. The final page reveal will entice fans back, but isn’t really a surprise. But this issue is more to do with character development than plot, which isn’t a bad thing when the characters are this fun.

Sara Pichelli’s pencils are quite simply beautiful. From the little facial expression to the action poses the book just looks excellent. It’s clean, clear and dynamic. Pichelli’s art does a lot of characterisation on its own without Bendis’ script, such is the depth to her art. She is one of the best artists working at Marvel and this issue is a showcase of her talents.

With Pichelli on board Guardian’s has become an A-List book. Chocked full of character and charm, Guardians is an entertaining read from start to finish. Angela may do nothing of note here, but it doesn’t damage the book. This comic looks great and delivers action, character and above all fun.

SIX SHOOTER RATING – HEADSHOT

SKYWARD #1 – ACTION LAB ENTERTAINMENT

The main problem about the book is that there is nothing to care about here.

Written by Jeremy Dale
Art by Jeremy Dale & Steve Downer

This is a comic that is clearly aimed at younger readers, but it has the potential to be engaging to all. But it never fully realises it.

The problem is that this tale is so by the numbers that anyone could guess the outcome. From child to adult, there is little here to surprise any reader. A young man’s life is changed due to the brutality of his fathers past. It is a concept that is in many stories. Even the dog companion isn’t anything new. This would be fine if Jeremy Dale attempted to at least put his own spin on the proceedings.

The characters are little more than archetypes of this sort of tale. They lack depth due to poor dialogue choices. The script just falls flat and the plot is quite dull.

Dale’s art is a little better than his script. There is a cartoonish style to the art that is in keeping with the all-ages feel of the book. Its serviceable, but nothing more.

The main problem about the book is that there is nothing to care about here. It isn’t that it is aimed at a younger audience either, because one would assume that children would want more from their comics. It is basically a forgettable tale that uses well worn ideas.

SIX SHOOTER RATING – MISSFIRE

3 GUNS #1 – BOOM! STUDIOS

3 Guns just doesn’t seem to entice the reader into caring about what is going on.

Written by Steven Grant
Art by Emilio Laiso & Gabriel Cassata

This is the 2 Guns sequel comic that coincides with the release of the 2 Guns film. Which perhaps explains its quality.

The thing about 3 Guns is that it reads like a TV show. The concept, script and art direction wouldn’t seem out of place on the picture box. This isn’t a bad thing by any means. Grant does a good job in setting up his narrative and reintroducing his characters. There are plenty of criminal shenanigans, double crosses and intrigue to be had. But it isn’t exactly the most satisfying read.

The characters don’t really have much in the way of characterisation and the plot constantly points out elements that we should pay attention too. The use of exposition is heavy handed at times and the villains of the piece are little more than caricatures.

This isn’t helped by Emilio Laiso’s average looking art. His layouts are the reason the comic seems more like a TV show than a comic book. The art looks like a more detailed storyboard for a film. Even the colour work is a little flat.

3 Guns just doesn’t seem to entice the reader into caring about what is going on. The presentation is mediocre and the script lacks a hook. It isn’t terrible, but ultimately this seems like more of a cash-in title than an actual sequel to the original comic.

SIX SHOOTER RATING – MISS

Verdict

So Vertigo’s return is both good and bad. Much like the week. A split down the middle in quality, but two HEADSHOTS means that we can declare this a more positive week.

Do you agree with the reviews? Did we get them wrong or right? Have you got any suggestions on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Daniel Cole brings you episode #007 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

This week I thought it would be nice to take a break from the big two and focus on the rest of the comics market. However one DC licensed hero does pop up. Anyhow lets do this!

THE CROW CURARE #2 – IDW PUBLISHING

This is certainly a different tale than the one fans will be familiar with, but that doesn’t mean it is inferior.

Written by James O’Barr
Art by Antoine Dodé

This new Crow series has the benefit of having the Crow’s creator James O’Barr in the driving seat. This is certainly a different tale than the one fans will be familiar with, but that doesn’t mean it is inferior.

In fact this miniseries is utterly gripping. O’Barr once again looks at violence, grief and the search for justice. This time around the story follows Detective Salk as he tries to find who is responsible for the brutal murder of a young girl called Carrie. O’Barr’s script is often uncomfortable to read due to the horrific nature of the crimes being committed, but this doesn’t stop it from being so compelling. As a character driven narrative O’Barr manages to show just how far the search for justice can lead a man. Salk has already demonstrated that he is willing to interrogate suspects with extreme prejudice and as the narrative moves forward he has become wholly consumed with his quest.

Antoine Dodé’s art is moody and perfectly suits the tone of the story. His ability to create a sense of dread is excellent, as he depicts the kidnapping of another victim. His visual story telling is extremely strong and the book is at its best when O’Barr sits back and lets Dodé tell the tale. The art is often haunting with the scene on the swings the most emotionally effective scene in the book.

An excellent character piece and an interesting murder mystery; The Crow Curare is something of a triumph. It is utterly compelling even if it is uncomfortably brutal.

SIX SHOOTER RATING – HEADSHOT

WITCHBLADE #168 – TOP COW (IMAGE COMICS)

Seeley clearly has a plan and the plot isn’t a mess by any means, but there is a distinct lack of focus on anything interesting.

Written by Tim Seeley
Art by Diego Bernard, Fred Benes, Allisson Rodrigues & Arif Prianto

The second part of “Absolute Corruption” continues at a pace befitting a three part storyline. However Tim Seeley’s script is having a hard time balancing all the plot elements.

Seeley clearly has a plan and the plot isn’t a mess by any means, but there is a distinct lack of focus on anything interesting. Characterisation is set aside for tedious exposition that expands the Witchblade mythology, but only by a fraction. The humour of the book doesn’t work, as Katarina isn’t really a fully formed character. It often seems that there is too much being crammed into these pages and our hero is sitting on the sidelines for most of it.

Diego Bernard’s pencils are functional, but lack any real impact. The clear and simple layouts allow the book to tell its story without incident. However the need for two inkers does seem excessive for such a simple looking book. Granted not every book has to be a work of art, but this type of tale needs something to make it compelling.

And that is the problem. There might be a lot of wheels turning in the narrative, but not much of it is interesting. It isn’t a disaster, but it isn’t good either.

SIX SHOOTER RATING – MISS

THUMBPRINT #2 – IDW PUBLISHING

Thumbprint isn’t a comic for everyone and the story is perhaps more suited to TV than this medium.

Written by Jason Ciaramelia
Art by Vic Malhotra

Thumbprint is a title that manages to justify its violence, but some of its more shocking moments go too far.

Jason Ciaramelia’s script delves deeper into the stories main protagonist Mallory. We see her life in the armed forces and how she was a person who was tasked to ask enemy soldiers questions. Of course this means that we get an unsavoury look on how she acquired knowledge from the enemy. For the most part the brutality of it all works within the confines of the narrative, but Ciaramelia does often go too far. The whole “fingering your wife” moment is utterly unnecessary, even if it shows what sort of character Mallory is. The comic has already stated her dark nature and that moment is a little too much. However Ciaramelia must be commended for showing the ramifications and the senselessness of war. His depiction of war may not be a revelation, but it at least brings depth to the books narrative and main character.

Vic Malhotra’s art is best described as David Aja-lite. He seems to mimic Aja’s deceptively simple pencils, but not his ability to inventively construct a page layout. This isn’t a bad thing as the book often looks good, but the instant comparisons don’t help the book. However the slight blur and colour difference in the flashback scenes are a nice touch.

Thumbprint isn’t a comic for everyone and the story is perhaps more suited to TV than this medium. Ciaramelia does go a little too far in places, but it does at least try and engage the reader in the horrors of war. But a lot of recent films/books/TV shows have already done this type of story and done it better.

SIX SHOOTER RATING – MISS

MASS EFFECT FOUNDATION #1 – DARK HORSE COMICS

It maybe a prequel comic, but it does not play out as one in this initial issue

Written by Mac Walters
Art by Omar Francia & Michael Atiyeh

Mac Walters, lead writer on Mass Effect 2 & 3, takes the franchise into the past with this new comic book series.

It maybe a prequel comic, but it does not play out as one in this initial issue. Walters hits the ground running with a fun script that involves a mysterious female agent. She has assassination on her mind and the way in which she gets to her target is playful. Using intimidation, a few disguises and the help of a child. It is a great secret agent style tale that has an excellent pace to it. Surprisingly the script is filled with world building and characterisation. Also that twist ending is very effective.

Omar Francia’s art is clean and clear for the most part. But there are few inconsistencies with his character work, namely body proportions. However the action scenes are kinetic and well rendered and Francia manages to emote his characters well enough to enhance the scripts character beats. He manages to fill each panel with imagery that helps create the world the characters live in, even if it is a little bland at time.

This might not instantly be recognisable as a Mass Effect comic, but it has enough about it to engage new readers and fans alike. The art does its job and produces a solid visual experience. But it is Walter’s fun script that sells this title.

SIX SHOOTER RATING – HIT

ANTI-HERO #2 – MONKEY BRAIN COMICS

This is a great title that tells a compelling story and presents it in a colourful way.

Written by Jay Faerber
Art by Nate Stockman & Paul Little

Jay Faerber’s blackmailed superhero story is a book that knows how to entertain you.

The narrative concept may not be original, but Faerber embraces it with such glee that you can’t help but get invested in it. The script is witty, fun and surprisingly character driven, as poor Paragon has to do business with a bad guy. The heroes and villains of this world have wonderfully ridiculous names that really work due to the light-hearted tone of the book. However it is light-hearted to a point as Faerber cleverly invests time in making Paragon a character the readers can empathise with. His new identity is an outward expression of his plight and the dialogue is so well judged in the more sombre moments.

Nate Stockman’s art is also a lot of fun. There is something nostalgic about the hero and villain designs, with each being both unique and a familiar. Paragon’s new suit takes visual inspiration from Stormwatch’s Midnighter and clearly pokes fun at the “dark” hero stereotype. The art is very expressive and vibrant. Giving the reader a rich visual experience.

This is a great title that tells a compelling story and presents it in a colourful way. It successfully show’s that a book can be mature in its character work without sacrificing the inherent fun that comes with the superhero genre.

SIX SHOOTER RATING – HEADSHOT

THE ROCKETEER & THE SPIRIT: PULP FRICTION #1 – IDW PUBLISHING

Some great dialogue softens the lack of originality and Waid really excels in presenting how different these two heroes and their supporting characters are.

Written by Mark Waid
Art by Paul Smith & Jordie Bellaire

Mark Waid brings two of the most recognisable pulp heroes together for a nostalgia infused tale.

For a lot of readers this may fall flat as it relies on the nostalgia factor heavily and doesn’t really offer an interesting narrative to engage with. It has the familiar heroes meet, fight and then team up arc that happens in almost all stories of this ilk. It is nice that Waid gets this out of the way so issue two can move the narrative forward, but it is certainly a hurdle to overcome in this issue. Some great dialogue softens the lack of originality and Waid really excels in presenting how different these two heroes and their supporting characters are.

Paul Smith’s art evokes the style of those old comic strips and the highly stylized pencils give the book a distinct look. It is more cartoonish than realistic, but that is intentional and really sells Waid’s script. The action is kinetic and quite dynamic due to the sense of momentum Smith gives the flying sequences. It certainly works on a visual level.

What it lacks in narrative originality it makes up for with charm and playful art. It is a comic that focuses on delivering a fun tale with well-loved heroes and for the most part its successful in doing so.

SIX SHOOTER RATING – HIT

So this week has been a good one with two HEADSHOTS, two HITS and only two MISSES. A lot of books that focus on fun and just as many that focus on violence. IDW had a good showing this week and is definitely a company to keep an eye on. So all in all I declare this week a win for the reader.

Do you agree with the reviews? Did we get them wrong or right? Have any suggestions on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Daniel Cole brings you episode #006 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

This week we have three digital only comics. As the digital revolution of the medium continues are these comics better than their physical counterparts. Find out below!

DEMON DOG #1 – SELF-PUBLISHED (FIND ON GUMROAD.COM)

However funny this is, it doesn’t make you want to come back for another helping.

Written by Derek Charm
Art by Derek Charm

Derek Charm’s Demon Dog is an interesting piece. It plays on the Lassie concept and includes a Saturday morning cartoon moral lesson.

In fact the tone is akin to a Saturday morning cartoon, but with a few elements that promote it to an Adult Swim type of product. There is fun to be had here, but it isn’t exactly memorable. The spoofing of the moral lesson and Lassie angle does make you smile.  However the whole thing seems to be over before it really gets going.

The pace is break neck and the plot is slim. Which in the context of what Charm is attempting to do is fine. But in essence the comic already seems to have already delivered the only joke it can tell in its first issue. However funny this is, it doesn’t make you want to come back for another helping.

Charm’s art is perfectly suited for the style of story he wants to tell. The cartoony aesthetic adds a lot of visual humour to the book. Charm manages to make a demonic phone look hilarious and the scenes that are silent work best.

Charm is a solid visual storyteller and Demon Dog will entertain a lot of people. However the comic evokes the feeling of a short comic strip and is utterly forgettable.

SIX SHOOTER RATING – MISS

UNCANNY X-MEN #8 – MARVEL COMICS

Bendis delivers another one of his famous talky scripts in this issue.

Written by Brian Michael Bendis
Art by Chris Bachalo & Tim Townsend

As the new shepherd of the X-Universe Bendis has created something interesting in the pages of All-New X-Men and Uncanny X-Men. However more often than not Uncanny seems to be behind its sister title when it comes to quality.

Bendis delivers another one of his famous talky scripts in this issue. It is concerned with setting up the next arc and introducing the reader to a new team member. Now this isn’t a bad thing, but the whole issue falls under the weight of its own dialogue. The constant chatter becomes so much that even the art gets swallowed up by it.

It doesn’t help that certain plot points are revisited again this issue, but still nothing has moved forward; namely the fact that the senior X-Men’s powers are broken. Bendis attempts to give weight to the Cyclops/Magneto dynamic, but the scene between them seems too forced. Bendis is more successful when dealing with the persecution of mutants as both the new mutant and Fabio get interesting scenes. But it isn’t enough to excuse the rest of the books shortcomings.

Chris Bachalo’s art is uncharacteristically clear this issue. Although some of the visual choices are a bit much (Magik’s flaming demons). The visuals are strong for a mostly static issue, but Bachalo’s characters do sometimes look quite bloated in the face, which is a little distracting.

This isn’t a terrible comic, but it is a tedious read. Although the main plot moves forward somewhat there is still a sense that Bendis is treading water. Bendis becomes the victim of his own style this issue and the result is a long-winded and bland comic.

SIX SHOOTER RATING – MISS

SKYBREAKER #3 – MONKEY BRAIN COMICS

The pacing of the issue is somewhat slow due to the extended scenes explaining what is going on.

Written by Michael Moreci
Art by Drew Zucker

Skybreaker’s continues at a steady pace with issue three as the main story is built upon heavily.

However Michael Moreci falls down the exposition trap this issue. It is completely understandable that Moreci wants to deepen his story and give the reader information about character motivations and the plot, but his script is a little cumbersome. The issue often seems like it is just dumping information on the reader and this in turn hinders the book.

The pacing of the issue is somewhat slow due to the extended scenes explaining what is going on. The overreliance on exposition also makes certain scenes a little tiresome. Even the script’s moments of action don’t exactly help as they seem to be in the book to just give Drew Zucker something violent to draw.

Zucker’s art is slightly inconsistent. His penchant for having every characters head at a jaunty downward angle makes a lot of them look a little bizarre. There is definitely a lot of forehead in this book. The violence is gleefully depicted, but fails to impress visually. The black and white pages only help to highlight the little inconsistencies in the art, as facial features seem to be out of place and the backgrounds lack depth and detail.

This is a comic that isn’t a right off and there are elements to the plot that are engaging, but the execution is where Skybreaker fails. It’s over written and visually uneven.

SIX SHOOTER RATING – MISS

JUSTICE LEAGUE #22 – DC COMICS

The beginning of DC comic’s big Trinity War event is here.

Written by Geoff Johns
Art by Ivan Reis, Joe Prado, Oclair Albert & Rod Reis

The beginning of DC comic’s big Trinity War event is here. It certainly starts with a bang, but perhaps it should have focused on making the reader care more.

It’s perfectly fine that Geoff Johns delivers the crescendo to what he has been building to in JL and JLA, but these plots will be alien for new readers. But Johns tackles this problem, but with little skill. He relies too heavily on characters recounting events that have happened before and this makes the majority of the issue one giant recap page. Admirable it maybe that Johns is bringing together so many characters and storylines for this event, but his exposition heavy script makes the book a cumbersome read. It is also worth noting that Johns makes a lot of these characters come across like arseholes (especially Shazam).

The choice to frame the action around Madame Xandu at least gives Johns an easy (lazy) way to introduce the major players on the battlefield. After all the backstory to the event has been described, Johns is free to deliver the opening moments of this crossover. And what he gives us is two deaths and a villain who is tied to DC’s Flashpoint series (that started the new 52). Much like a lot of these events, death is used so we take the whole thing seriously and it is a great way to exploit the readers into thinking there are actually high stakes involved in the story. But it is a tiresome exercise even if the actions of Superman are integral to the plot.

Ivan Reis is the books shining light. He is an artist that understands how to deliver top notched and polished superhero stories. His art is at times gorgeous and he constantly throws out great team shots. The action is kinetic and his character work is expressive. His work is tailor made for this type of blockbuster event.

So, even though the book looks excellent it still has major problems with its script. Johns’ lazy approach to exposition cripples the first half of the book and makes this read like a prelude as opposed to a part one. The “twists” and “surprises” have no real impact because there is little depth to the characters or plot. This is bloated first issue that gets more wrong than it does right, but Reis does enough to make sure it isn’t a total failure.

SIX SHOOTER RATING – MISS

BREATH OF BONES: A TALE OF THE GOLEM #2 – DARK HORSE COMICS

It is a testament to the creative teams skill that they have managed to present the tale in such a way that you care for the characters.

Written by Steve Niles & Matt Santoro
Art by Dave Wachter

This is a familiar tale set in WWII, but it has a supernatural twist that involves a golem. It may sound a little absurd, but Niles and Santoro ground this tale in humanity.

The scenario may not be anything new, an enemy of the Nazis being hidden by a friendly town, but the script has so much depth to it. It is a testament to the creative teams skill that they have managed to present the tale in such a way that you care for the characters. Using the eyes of a young boy, Niles & Santoro can really show the fear that comes with war. The comic’s most effective scene is when the boy (Noah) sees the tanks coming for the town.

Niles and Santoro know how to create tension and when not to use dialogue to enhance a scene. The use of exposition is sparse, but tied to the characters. The book delivers everything you need to know in a succinct manner and this allows the script to develop and revel in its character work.

Artist Dave Wachter brings this script vividly to life. His use of shading is excellent and adds a lot of visual depth to the black and white presentation. The overall tone of the art is sombre, which enhances the plot no end. His pencils are detailed and his characters truly emote. The book has several standout visuals that highlight the fear the boy has and this in turn adds depth to his character. Wachter’s visual storytelling is extremely strong with his choice of panel layouts giving the book a cinematic look, whilst making sure the story is well paced.

This is comic that deals with a subject matter that maybe familiar, but it is a well-executed book. It uses subtly and characterisation to tell its story. It’s a perfect example of a great creative team working in harmony to produce a great comic.

SIX SHOOTER RATING – HEADSHOT

AMANDA HOCKING’S THE HOLLOWS BOOK FIVE – DYNAMITE ENTERTAINMENT

If you weren’t already done with the zombie genre then this comic will make sure you never want to read about the Walking Dead again.

Written by Amanda Hocking & Tony Lee
Art by Steve Uy

If you weren’t already done with the zombie genre then this comic will make sure you never want to read about the Walking Dead again.

It isn’t so much the zombies themselves that makes this an abysmal read, but the characters we have to follow. Hocking and Lee’s script makes sure that each one of the main protagonists are as annoying as possible with the exception of Blue (yes that’s his name). Blue doesn’t really do much, but that is probably for the best. Granted these characters are young, but could they perhaps be a little less self-absorbed, especially as they are in a crisis.

Hocking and Lee make these characters tread familiar narrative ground throughout the issue. They argue about staying in a comfy place, as oppose to keeping on the road. Understandably the youngest is a selfish child, but the dialogue really hammers home the point that she wants to stay in the comfy house. By the end of that scene you are willing the rest of the characters to just leave her there to die. The writers also have our character visit a Vegas casino to get supplies and meet a crazy religious group. The plot is neither interesting nor engaging and is made worst by the fact that every character in the book seems to be an utter twat.

Steve Uy’s art is hindered by the black and white style. The front cover show’s how his digital colouring techniques make for an enjoyable image. However the interior art is dull and lacklustre. His Japanese inspired style does fit with the zombie genre though. His characters are well animated and his action beats have a great sense of motion. But the whole book could have benefitted with a bit of colour.

The bland look of the art and the terrible characters make sure that The Hollow is not worth your time. It is hard to see who this is aimed for as it is tonally all over the place (Is it a comedy? A horror? Just for teens?). It is a comic that is best avoided.

SIX SHOOTER RATING – MISFIRE

VERDICT

Well this is one depressing week. One MISFIRE, four MISSES and one HEADSHOT. Even though there was a headshot, this week is officially a disaster. Perhaps there was too much black and white art. There was definitely too much emphasis on stilted exposition, that’s for sure. Oh well hopefully next week will have a better offering.

Do you agree with the reviews? Did we get them wrong or right? Have any suggests on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Daniel Cole brings you episode #005 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

After last weeks hiatus Six Shooter is back and ready to look at this weeks offerings. So lets do this!

BATMAN 66 #1 – DC COMICS

Adam West’s Batman is everything that is odd and silly about the character.

Written by Jeff Parker
Art by Jonathan Case

It is a given that nearly everyone is familiar with the 60s Batman TV show. It was high camp and trippy fun that made household names of Batman and Robin. Adam West’s Batman is everything that is odd and silly about the character.

What Jeff Parker and Jonathan Case have done is recreate the TV show and embrace the ridiculousness of it all. As a result we have a comic that captures the TV show’s camp feel and that is a good thing. Having this Batman back is refreshing and gives us a caped crusader who isn’t bogged down in an overtly serious tone.

The plot is a simple but effective, utilising one of Batman’s more colourful villains. The Riddler just suits this style of Batman 66 and his mania is excellent. The dialogue is pure cheese, but is a constant source of humour. Parker has nailed the actors deliveries perfectly and manages to throw in some great Robin one-liners (HOLY TIGHTROPE!)

Jonathan Case’s art has a pulpy charm to it that really sells the book. The colour work alone is a visual treat as the bright colours pop off the page. His panel layouts are dynamic and the action is fun. Sometimes the pencils are a little simplistic in places and the thick inking shows that up, but on the whole the book’s visuals mirror the TV show’s aesthetic.

It isn’t going to blow you away, but it is a fun read that plays heavy on childhood nostalgia for the TV show. Parker and Case are a great team and have constructed an engaging and camp book that explores a take on Batman that has been sorely missing in the recent comics.

SIX SHOOTER RATING – HIT

SUICIDE RISK #3 – BOOM! STUDIOS

The idea that a cop buys a superpower from a back alley is a nice set up and from this issue we are finally hitting some ground with the story.

Written by Mike Carey
Art by Elena Casagrande & Andrew Elder

Although the premise behind Mike Carey’s latest series isn’t really original, it at least has a little depth to the world. The idea that a cop buys a superpower from a back alley is a nice set up and from this issue we are finally hitting some ground with the story.

That being said this issue still has pacing problems and the need for exposition drags the first half of the book down. Carey goes to great lengths to make the reader sympathise with the main character here, but Leo continues to be somewhat of a blank canvass. His emotional distress at last issue’s events is hammered out here and the script overworks that angle, which leaves it feeling too artificial. Leo’s brother is nothing more than a plot device as he tells Leo one villain’s backstory and gives him details on another super powered person. These elements make the first half of the issue a tedious read.

But the second half isn’t that much better. However the introduction of a character with the powers of a drug without the side effects is handled well. But the little action scene is a by the numbers affair and the issue’s cliffhanger doesn’t do much to entice you back.

Elena Casagrande’s art is functional and clear, but it lacks any real impact. It looks just like your standard comic book. That isn’t a bad thing as the plot is told well visually, but you won’t exactly remember the comic for its art.

Suicide Risk has a lot of problems, but even its good points only raise the book up to an average read. The concept might be better suited to TV as the way this issue is paced and plotted seems to have that medium in mind. It has potential to improve and Carey is a very capable writer, but for now this is a middle of the road title.

SIX SHOOTER RATING – MISS

ABSOLUTION RUBICON #1 – AVATAR PRESS

This issue is, as you’d expect, all set up and places the reader six months after its main character turned into a murdering vigilante.

Written by Christos Gage
Art by Daniel Gete & Digikore Studios

The main problem with Christos Gage’s Absolution Rubicon is that we’ve seen it all before. Super powered vigilantes murdering the bad guys are so commonplace now that it is becoming tiresome.

It would seem that Gage has been inspired by Mark Millar’s recent output. We have characters swearing, graphic depictions of violence and a completely cynical approach to superheroes. This issue is, as you’d expect, all set up and places the reader six months after its main character turned into a murdering vigilante. All the major players are put on the board and Gage gives them all motivations. It isn’t a bad script technically, but the familiarity of it all makes the book a bland read.

The one true interesting concept (criminals appealing their time in prison) is dealt with in such a quick fashion that it is no longer relevant before the issue hits the halfway mark. The way Gage introduces the two female protagonists is the highlight of the whole issue. Using the speed dating framing device to get across these two characters personalities in a succinct way.

Gete’s art is more focused on delivering bloody action than consistent quality. It isn’t hard to follow but the detail drops from time to time. He has a lot of fun in the action scenes, but he isn’t really suited to the more talkative moments.

The book isn’t terrible by any means and you can see that it is aiming for a specific audience. But the concept isn’t thrilling, the characters don’t really capture your attention and the art is mediocre. As a first issue it does what is needed of it, but little more.

SIX SHOOTER RATING – MISS

THEREMIN #2 – MONKEY BRAIN COMICS

The main selling point of the book is the almost poetic text boxes that straggle a fine line between interesting and pretentious.

Written by Curt Pires
Art by Dalton Rose

Curt Pires and Dalton Rose’s time travel based comic rushes along at a break neck pace. It is especially noticeable due to its small page count. On top of this the book is crammed with ideas that makes it seem almost necessary to read again once you’ve finished.

There is a pulp feel to the title, but it isn’t overt. The main selling point of the book is the almost poetic text boxes that straggle a fine line between interesting and pretentious. However the gung-ho attitude to murder from a lot of the characters is a little too much and one will wonder how far down the rabbit hole Pires went as we see Buddhist talking chimps being slaughtered.

Dalton Rose’s art is well defined and gives the book a distinct style. His art is very expressive, but it is quite rough. However this gives the book a solid visual identity. The use of colour and lighting effects is where the art shines. Rose really knows how to colour a book with the projector panel being the best image in the issue.

It is quirky and it is hard to decide whether that is a good or bad thing. There is something alluring about the crazy ideas on display here, but the execution seems rushed and a little incoherent due to the rapid pacing and limited page count.

SIX SHOOTER RATING – MISS

SATELLITE SAM #1 – IMAGE COMICS

Sex, violence and TV in the 1950s. It’s a concoction that suits Howard Chaykin down to the ground.

Written by Matt Fraction
Art by Howard Chaykin

Sex, violence and TV in the 1950s. It’s a concoction that suits Howard Chaykin down to the ground. It is also a great fit for Fraction as his script trundles along nicely as the opening chapter of Satellite Sam comes to an interesting end.

One thing is instantly noticeable about this issue. The black and white choice really enhances Chaykin’s art style. His pencil work is detailed and his visual story telling is the best he’s done in a while. His characters look great and they perfectly fit into the darkly styled world he has created. Bold inking makes the book look striking and Chaykin’s use of lighting and shade gives the art depth.

Fraction’s script is talky, but in a great way. The characters are well defined and the hectic atmosphere of a TV production is captured perfectly. The ramifications of Satellite Sam’s death are intriguing and the issue makes you want to find out more about how these stressed characters deal with everything now the star of the show has gone.

It is a well-paced issue that is filled with great dialogue and character work. The plot is engaging, with Fraction setting up his story whilst delivering a satisfying first issue. Chaykin is on top form, as he enhances Fraction’s script to no end. If Satellite Sam keeps up this quality then it will be a must have title.

MASKS AND MOBSTERS #9 – MONKEY BRAIN COMICS

This issue is a stand-alone tale where two members of the mob meet a Namor-esque character. The ensuing story is simple but entertaining.

Written by Mike Henderson (Script Assist Joshua Williamson)
Art by Mike Henderson

Joshua Williamson and Mike Henderson’s crime anthology is an excellent title. It is an interesting concept told in an interesting way. Taking the masks back to the golden age and having them fight the mobsters instead of super villains.

This issue is a stand-alone tale where two members of the mob meet a Namor-esque character. The ensuing story is simple but entertaining. The creative team play on the concept of an aquatic super being. With the mobsters cleverly getting the creature on their side. It all ends with a Mask appearing and a scuffle. It is a light read but it will stay with you.

Before we talk about the art inside the comic let us admire the fantastic front cover from Henderson. It’s a haunting and moody piece of art that perfectly encapsulates the tone of the world Masks and Mobsters inhabits. The art inside the comic is just as striking. The noir look might be the go to style for this type of tale but Henderson really makes it work. The decision to make the sky a black backdrop makes the white coloured characters and world pop off the page. Henderson proves that he is an excellent storyteller with this one issue.

This is a gorgeous looking book with a fun story. It maybe a quick read but it’s a well-crafted one. It is easily one of the best looking comics out there.

SIX SHOOTER RATING – HEADSHOT

VERDICT

Three misses is disappointing but it is also a week that has two headshots. So we can call that a win.

Do you agree with the reviews? Did we get them wrong or right? Have any suggests on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Daniel Cole brings you episode #004 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot(Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

This week is full of zombies, mysteries, reinvented superheroes and Darth Vader. It’s another eclectic collection of titles. So lets do this!

AMELIA COLE AND THE HIDDEN WAR #2 – MONKEY BRAIN COMICS

It seems that there have been many attempts at exploring magic since the introduction of a certain boy wizard.

Written by Adam P. Knave & D.J. Kirkbride
Art by Nick Brokenshire

It seems that there have been many attempts at exploring magic since the introduction of a certain boy wizard. Amelia Cole is not specifically geared towards the same market as Mr Potter though.

Knave and Kirkbride blend superhero and militaristic elements into this magical themed world and the outcome is mixed at best. There is nothing inherently wrong with the concept, but it seems like the execution is a little lacking. This is mainly due to a weak main narrative and bad dialogue. Amelia herself has too much “attitude,” which makes her an unlikable lead. Her thoughts are displayed in text boxes that don’t engage. Although they are intended to add depth to Amelia, they’re too forced and come off as superficial statements.

The narrative of the issue is well paced and the structure works well. But the content is a little uninspiring. The whole plot revolves around Amelia waking up and getting back into the game whilst The Omega Company find something in the desert. It may move the overall plot forward, but it lacks a hook to keep you interested. The opening flashback about Lemmy is the only part of the narrative that is engaging.

Brokenshire’s art is solid. The use of slanted layouts for the action scenes gives them a sense of motion. His character depictions work for the script and have a charming quality about them. However the backgrounds are bare and the colouring is flat, which adds to the issue’s problems.

The title’s concept is lost due to this issue’s mediocre presentation. The narrative is uninteresting and the script is marred by terrible dialogue. It isn’t the worst read you’ll ever have but it is utterly forgettable.

SIX SHOOTER RATING – MISS

X-FILES SEASON 10 #1 – IDW PUBLISHING

The issue’s moody visuals give the book a distinct quality and the writing is solid.

Written by Joe Harris (script) & Chris Carter (Story)
Art by Michael Walsh & Jordie Bellaire

This continuation of the cult TV show certainly starts like an episode of the X-Files, with a teaser before the title sequence. The issue’s moody visuals give the book a distinct quality and the writing is solid.

Walsh’s pencils might be simplistic in some respects. But his Mulder, Scully and Skinner look like their real life counterparts and there is much to appreciate from that alone. The big spacious panels evoke the feeling that you are watching television and the layouts are simple but effective. Empty panel space is used to accentuate a reveal (Mulder) and the heavy inking gives the book a noir quality that really works. As always colourist Jordie Bellaire is on fine form with her colours giving a depth to the art.

Harris’ script has the unenviable task of living up to the fans of the show. But he is more than up to the challenge. His character work shines more than the actual plot. Mulder and Scully are fleshed out and Harris make’s sure new readers can get in on the action as well. The interplay between the characters is fun, but some of Mulder’s humour does fall flat.

The only problem really is the plot. Granted Harris and Carter have to get their main characters back into the game, but it seems a little too contrived. The central mystery might hook a lot of readers, but the “someone hacked into the X-Files” angle isn’t the best opening gambit for this series.

However this is a title that will please both fans and new readers. As a first issue it’s a success. It has a great visual identity and the characters are engaging. The plot may not be exciting, but it has enough about it to make most readers come back for the next instalment.

SIX SHOOTER RATING – HIT

ULTIMATE COMICS SPIDER-MAN #24 – MARVEL COMICS

Bendis has made both Cloak and Dagger instantly likable as characters.

Written by Brian Michael Bendis
Art by David Marquez & Justin Ponser

This issue is all about (re)introducing Cloak and Dagger to the Ultimate Universe. Their powers are the same, but their origin has had a much-needed overhaul. Bendis manages to link these new heroes to the Roxxon brain trust, who have been scheming for a while now. Bendis fills the issue with bad pseudo science and his talking head style does slow the pace of the narrative somewhat. But the new origin makes sense and surrounding it with science fiction elements keeps it in line with Ultimate Spider-man’s universe.

Bendis has made both Cloak and Dagger instantly likable as characters. There is history there and the flashbacks provide the reader with a succinct background to them both. However this being a Spider-man comic you’d expect he’d make an appearance. Well Mile Morales is still grieving from his mother’s death. Bendis continues the “I’ve quit” storyline and although it works in theory, Morales is barely in this issue. Therefore this aspect of the issue has no weight as Bendis is more focused on his new toys. He sacrifices Mile’s continued development to showcase his new take on Cloak and Dagger.

But for any problems the script has David Marquez more than makes up for it with his art. It is quite literally beautifully to look art. He has an eye for the human form and he is easily one of the best character artist working in comics. Every emotion is captured perfectly. His pencils are detailed, clean and dynamic. His fight scenes are kinetic and pop off the page. The redesigns of Cloak and Dagger aren’t especially inspiring, but Marquez sells them. Especially Cloak who is a wonderful visual.

The comic succeeds as an introduction to new characters. But it does little to truly move along Mile’s story. He is somewhat of an afterthought. But the art is excellent and that alone makes this issue worth a read.

SIX SHOOTER RATING – HIT

STAR WARS: DARTH VADER AND THE NINTH ASSASSIN #3 – DARK HORSE COMICS

He dispatches enemies, leaps around and walks menacingly. He does everything that Darth Vader does and it is presented perfectly.

Written by Tim Siedell
Art by Ivan Fernández, Denis Freitas & Michael Atiyeh

The creative team deliver a nearly silent issue that just has Vader searching for answers. It isn’t a revelatory character study and it isn’t something that deepens the Star Wars mythology. It’s a comic that show’s off how utterly cool the character can be. He dispatches enemies, leaps around and walks menacingly. He does everything that Darth Vader does and it is presented perfectly.

Siedell essentially lets Fernández tell the story through the visuals. But the script has a great pace to it and the limited dialogue delivers both exposition and characterisation. The less Vader speaks means that when he does it has impact. Cold and practical seem to be his defining traits. This less is more approach to the script really elevates this simple story.

Fernández does the heavy lifting and he does it well. Vast landscapes, alien beasts and lightsaber action are handled with the same level of detail. The book looks great and it is impressive that Fernández can create some distinct emotional reactions on the blank armoured faces of the issue’s cast. Best of all is the way in which he inserts heroic imagery into certain scenes, for example Vader putting his lightsaber back after killing a creature.

It isn’t the most interesting plot, but the execution is excellent. The lack of dialogue is a boon to the issue. There is little depth here, but the Sith Lord will entertain you.

SIX SHOOTER RATING – HEADSHOT

EXTINCTION PARADE #1 – AVATAR PRESS

The author of World War Z adds another zombie tale to his bibliography.

Written by Mark Brooks
Art by Raulo Caceres & Digikore Studios

The author of World War Z adds another zombie tale to his bibliography. But this has a twist as Brooks decides to tackle another highly popular supernatural creature, the vampire.

From the off Brooks wastes no time in introducing everything you need to know about his new concept. Vampires are arrogant and have underestimated the threat zombies present. Brooks criticises previous popular incarnations of vampires, but crucially he doesn’t build a unique angle for his own interpretation. The main character’s narration is overwrought and reminiscent of other fictional vampires (namely Lestat). The whole concept is overplayed and makes for quite a tiresome read.

The art is rough, but the colouring has a bizarre sheen to it. This is due to the way in which the character and backgrounds are shaded. Caceres pencils are in direct conflict with Digikore’s colours and the book doesn’t quite come together visually. The detailed rotting corpses and violence impress, but it isn’t anything we haven’t seen before.

And that is what the main problem is with the issue. The familiar visual and narrative elements detract from the main concept, which isn’t that interesting to begin with. It may set-up the overall plot and characters, but Mark Brooks’ script is utterly uninspired. The Extinction Parade is a lifeless book with nothing to offer.

SIX SHOOTER RATING – MISFIRE

BATWOMAN #21 – DC COMICS

As always the book’s visual structure is impressive and Francavilla has a lot of fun playing with the layouts. The crocodile theme is a stroke of genius and makes the book a great visual experience.

Written by J.H. Williams III & W. Haden Blackman
Art by Francesco Francavilla

This newest issue of Batwoman focuses on Killer Croc as we get a break from the main narrative.

As always the book’s visual structure is impressive and Francavilla has a lot of fun playing with the layouts. The crocodile theme is a stroke of genius and makes the book a great visual experience. However Francavilla’s actual art within the panels is a little inconsistent. The tone of the script doesn’t exactly go with the pencils, which often look a little cartoonish. The quality of the art changes throughout as detailed character work becomes simplistic by the end of the issue.

But Williams and Blackman’s script is good enough to hide the arts problems. Killer Croc’s narration is filled with character. There are moments of humour to be had, but the overall narrative actually explores Croc’s life. The writing team manage to make Croc empathetic and the plot actually earns its happy ending.

Although the art lets the issue down somewhat, the actual panel layouts and the script are enough to call this issue a successful character piece. Williams and Blackman continue to provide DC with one of its better titles.

SIX SHOOTER RATING – HIT

Verdict

Overall it has been a good week. A surprising star performance from Darth Vader has been the standout comic. Proving that good storytelling can come from a great understanding of how to use the medium. The good outweighs the bad for another week and although there was one utter failure of an issue, it is a good time to enjoy comics.

Do you agree with the reviews? Did we get them wrong or right? Have any suggests on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Daniel Cole brings you episode #003 of the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot(Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

Another good mix of comics this week. Life lessons are learnt, villains beaten and herculean feats are achieved (and that’s just in My Little Pony). So how did they do?

MY LITTLE PONY FRIENDSHIP IS MAGIC #8 – IDW PUBLISHING

Written by Heather Nuhfer
Art by Amy Mebberson & Heather Breckel

The cutesy look of the book actually hides the sheer range of emotion Mebberson is able to depict.

The successful revamp of My Little Pony has shown that any old idea can be revived if looked at in a new way. The hyper cartoony and colourful presentation of IDW’s Pony lead series is easily the title’s greatest strength.

Amy Mebberson delivers some wonderfully expressive characters. The visuals maybe reminiscent of some overly cute anime cartoon, but the style suits the product. The cutesy look of the book actually hides the sheer range of emotion Mebberson is able to depict. Breckel’s colouring gives the art a bright and vibrant look that is sure to catch anyone’s eye. This is clean and clear art that manages to be visually engaging.

Nuhfer’s script isn’t as successful, but the target audience will be well catered for. The themes of friendship and over coming fear are a little heavy handed, but Nuhfer adds just the right amount of action and humour to make sure the comic doesn’t sink under the weight of its message.

It may not be the most sophisticated narrative on the shelves, but there is enough here to entertain most readers. It has a charm to it that will appeal to a lot of people and the art hides a layer of depth within its simple presentation. It’s definitely a title for anyone who wants to introduce their kids to the medium.

SIX SHOOTER RATING – HIT

SUPERMAN UNCHAINED #1 – DC COMICS

Put simply the Superman of the New 52 needs a new lick of paint and this is where Superman Unchained comes in.

Written by Scott Snyder
Art by Jim Lee, Dustin Nguyen, Scott Williams, Alex Sinclair & John Kalisz

DC’s second flagship character has had a hard time in the New 52. His titles haven’t exactly set the world on fire and he continues to struggle to be relevant. Put simply the Superman of the New 52 needs a new lick of paint and this is where Superman Unchained comes in.

Even if the title is a little odd (one would assume Man Of Steel might have been used), Snyder actually focuses the issue’s main plot device around the idea of an unchained Superman. But one unchained from a moral code. Having another Superman who has been around for longer and is used as a weapon certainly gives the narrative a nice focus. The whole evil Superman idea maybe old hat, but Snyder has essentially addressed the problem of having the main protagonist be all-powerful. The future threat will actually be a threat. This new threat also allows Snyder to attempt to tackle themes that are appropriate to Superman.

However this issue one doesn’t have any actual impact outside of the cliffhanger and evil Superman premise. Snyder diligently gives the reader the tour of Superman’s life, as Lois, Jimmy, Lex, Smallville and The Daily Planet are all touched on. But none of these elements are expanded upon and in fact you could be forgiven for thinking that this was issue #12 of an on-going series rather than a first issue. This is due to the fact that Snyder assumes that everyone reading this is up to date with all of the New 52 Superman titles. No real reason is given for why Clark doesn’t work at the Daily Planet or why Lex is in prison. Granted these facts don’t ruin the comic, but it isn’t very new reader friendly. But saying that Snyder is successful in showcasing Superman as a character. He is inspiring and heroic and Snyder manages to capture that aspect of him perfectly.

But the major problem with the issue is Jim Lee’s art. The legendary artist doesn’t exactly bring his A game. The pencil work often looks rushed and his visual language seems dated. There are moments in the art that show off Superman’s iconic strength, but they don’t leave a lasting impact. Most of the work seems to have been put into the poster, which is a shame.

So, Snyder and Lee deliver a book that has all the hallmarks of a blockbuster title, but is lacking somewhat. The script by Snyder has promise and definitely goes someway in delivering a New 52 Superman people will enjoy, but Lee’s pencils don’t seem up to the task. But aside from Lee there is enough here that makes sure Superman Unchained is worth a read (if not the price tag).

SIX SHOOTER RATING – HIT

THE HOLY NUMBERS #2 – 458 COMICS

This is a supernatural thriller that is full of mysteries. But it must be said that the narrative is very familiar.

Written by Tommie Kelly
Art by Tommie Kelly

The digital comics boom has given rise to some interesting titles and allowed independent creators to thrive. Tommie Kelly is one such creator. The Irish comics creator’s new series continues to gain steam with its second issue.

The Holy Numbers has a distinct noir tone about it. The narrative deals with a religious organisation (The Holy Numbers) and the death of its figurehead. This is a supernatural thriller that is full of mysteries. But it must be said that the narrative is very familiar. However Kelly presents his narrative in an engaging way, giving us distinctly human characters to focus on. He tackles the idea of organised religion and manages to question it without coming off as a man on a soapbox. The thematic elements he focuses on (religion VS freewill, the abuse of power, public image VS the truth) aren’t revelatory, but they are current and engaging.

His art is clear and distinct. Kelly manages to convey a lot of emotion with his pencils and his visual storytelling is extremely strong. The scene involving Raymond in the café is a master class in how to stage visual characterisation. His use of shading lends the book a distinct filmic quality that adds depth to the art. It is also nice to have a digital comic that is perfectly suited for a digital device with the whole comic presented in landscape.

This is a great title that has the sensibilities of a good TV show. The art style is visually engaging and the narrative is intriguing. There is an air of familiarity with the comic’s themes and elements of its plot, but on the whole this is a book that will entertain anyone wanting a break from superheroes and would like to read about characters you can invest in.

SIX SHOOTER RATING – HIT

AVENGERS ASSEMBLE #16 – MARVEL COMICS

It lacks the characterisation, wit and charm of the previous instalment and DeConnick’s work in general.

Written by Kelly Sue DeConnick
Art by Matteo Buffagni, Jordie Bellaire & Matthew Wilson

Kelly Sue DeConnick has been doing wonders with Carol Danvers in Captain Marvel. She has really brought Carol back to the forefront and has done some interesting things with the character. This issue of Avengers Assemble is the second part of the Carol Danvers focused crossover Enemy Within that is the culmination of plot points from her own title.

From the perspective of an Avengers Assemble reader, this issue’s narrative might be lost on them. However DeConnick doesn’t overtly focus the issue on Carol, but does mistakenly focus a portion of the narrative on an uninteresting antagonist. On his own the villain of the piece is a nice foil for Captain Marvel, but within the context of this issue he doesn’t quite work. DeConnick merely shows that he is a Kree and introduces us to his new super villain identity. It is all a little tiresome. The same can be said for the humour within the book. The usual charming wit of a DeConnick script is hampered by flat dialogue and the overuse of comedy in every scene. A lighthearted Avengers tale isn’t a problem, but the humour misses its mark more often than not. This is all a shame as the most interesting part of the comic, Captain Marvel’s characterisation, is hardly touched upon here.

Buffagni’s art is a little inconsistent as well. Some pages look great, with detailed line work. But others look unfinished. He also has a problem with the human body, as characters don’t keep the same body proportions throughout the issue. This inconsistency harms the book no end and highlights the problems with the script.

As a continuation of the Enemy Within story line this issue does move things forward. But it lacks the characterisation, wit and charm of the previous instalment and DeConnick’s work in general.

SIX SHOOTER RATING – MISS

THE TRUE LIVES OF THE FABULOUS KILLJOYS #1 – DARK HORSE COMICS

The long “quirky” title gives the reader a clue to what sort of comic they are about to experience.

Written by Gerard Way & Shaun Simon
Art by Becky Clooman & Dan Jackson

My Chemical Romance front man Gerard Way’s new comic is a little less accomplished than his previous effort. The long “quirky” title gives the reader a clue to what sort of comic they are about to experience.

That being said there are a lot of ideas here that capture your attention. The problem is that these ideas are flung at you. The reader has barely enough time to process one concept before Way (and Simon) produces another. The whole narrative feels overstuffed and the writing team have ignored the idea of creating an issue that reads well. It bounces around the place and offers up an overwrought narrative pretending to be intelligent discussion. The comic is simply not as clever or unique as it thinks it is.

It borrows heavily from The Warriors, especially with its tedious DJ narrations. It also doesn’t offer much in the way of an original dystopian future. People in suits are in power, artificial prostitutes, a Mad Max style wasteland and a bunch of anti-hero protagonists fill the pages with glaring lack of originality. The play on rhyming lyrics and the musical themes are interesting in their own write, but are swallowed up by the pretentious presentation.

Clooman’s pencils are seemingly what you’d expect from this type of tale. Her pencils are clean and her characters are detailed, but there is something missing. This is due to the character designs and this titles aesthetic. Much like the narrative the visuals are familiar and there is nothing here that hasn’t been seen before. Jackson’s colours do make the art pop off the page though.

As a first issue Way and friends have made The True Lives Of The Fabulous Killjoys very difficult to get invested in. The good is outweighed by the bad. It is the execution that lets the issue down.

SIX SHOOTER RATING – MISFIRE

SIX-GUN GORILLA #1 – BOOM! STUDIOS

Yes, the book does have a few clichéd plot points, but Spurrier admits this and embraces it.

Written by Simon Spurrier
Art by Jeff Stokely & Andre May

The title ape may be an eye-catching character but Spurrier decides not to reveal the gun-totting gorilla until the final page. Instead he spends the issue successfully setting the scene.

As world building goes, Spurrier makes it look easy. He presents a future in which war is entertainment. Colourful weapons are mashed together with period costumes to create an aesthetic that is recognisably familiar, but also unique. Spurrier juxtaposes the action on another planet with the people living on Earth enjoying the entertainment. He lets Jeff Stokely’s art do the talking, which allows him more room for characterisation and plot. The overall narrative is solid and entertaining, with a literal everyman thrust into conflict and predictably ending up becoming the centre of the tale. Yes, the book does have a few clichéd plot points, but Spurrier admits this and embraces it.

Blue is a fully-fledged character and his confusion on the battlefield is believable. The rest of the disposable cast are well utilised to show the chaos of war. The script’s strength is the heavily accented dialogue that adds depth to characters. Moments that highlight what is happening on Earth only act to move the large plot forward as the antagonistic force is presented quickly and efficiently. Spurrier has a lot to say on the idea of war and the way it’s perceived, which adds another layer of depth to the narrative.

Stokely is somewhat of a revelation. His art is beautifully kinetic and gives the fighting a dynamic sense of pace. The violence on display is almost surprising in its brutality. Stokely captures the chaos and horror of a battlefield perfectly. His splash pages are often cinematic in scope as he gives a sense of scale to the battles. But it isn’t all about the battle sequences as Stokely excels in the quiet moments. His depiction of characters is on point and Blue goes through the full gamut of human emotions. But it is that final image that steals the show. Six-gun Gorilla is a striking and intimidating visual presence.

Spurrier and Stokely have delivered a great first issue that gives the reader all they need to know about the world and the plot. There are a few niggling problems due to the predictability of the narrative. But on the whole this is an exciting new series that has a pulpy vibe, bloody action, solid characterisation and a talking gorilla.

SIX SHOOTER RATING – HIT

VERDICT

Six-Gun Gorilla was close to making a headshot, but still four hits isn’t bad at all. Avengers Assemble lost itself in bad jokes and an uninspired villain, whilst True Lives Of The Fabulous Killjoys was a tediously pretentious read. But we can declare this week a success.

Do you agree with the reviews? Did we get them wrong or right? Have any suggests on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Welcome to the Six Shooter!

Welcome to the Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. Our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

An eclectic collection of books this week. From high fantasy to time travelling superheroes. That’s see how they do.

AGE OF ULTRON #9 – Marvel Comics

Written by Brian Michael Bendis
Art by Brandon Peterson, Carlos Pacheco, Paul mounts & Jose Villarrubia

We all knew there was going to be that moment when our heroes realised that killing Hank Pym isn’t the solution and that there has to be a way to put things right.

The latest issue of this bloated event essentially renders everything that has happened before it pointless. But that is what you get with time travel stories that have no real impact.

We all knew there was going to be that moment when our heroes realised that killing Hank Pym isn’t the solution and that there has to be a way to put things right. So Bendis happily delivers an issue dealing with just that. He throws in explanations about the timestream and notions of artificial intelligence, but there seems to no real thought about what the characters are saying. Add to this the dull opening segment that wastes time showing us Wolverine killing things (again) and there is nothing within these pages to shout about.

Even the art seems to have taken a turn for the worse. Pacheco’s scenes seem uncharacistically messy for someone who often has clean renderings. Peterson has little to work with and the constant images of a destroyed New York no longer have impact.

Never before has an event comic been so devoid of intrigue, intelligence and general entertainment.

SIX SHOOTER RATING – MISFIRE

MICE TEMPLAR IV: LEGEND #3 – Image Comics

Written by Bryan J.L. Glass
Art by Victor Santos & Serena Guerra

There is much to like about this tale of mice. It is an epic high fantasy and is charmingly centred on some unlikely creatures.

There is much to like about this tale of mice. It is an epic high fantasy and is charmingly centred on some unlikely creatures. Its literary influences are easy to spot, but that isn’t a bad thing.

Glass does a lot with his characters this issue as the main protagonists discuss ideas of destiny. It is an engaging coming of age tale, but it is also filled with action and adventure that will satisfy anyone. Rooting itself in familiar myths and legends only helps to enhance the overall experience. Glass just knows how to deliver on character and plot.

At his side is artist Victor Santos. His style really lends itself to the concept and tone of the narrative. He makes the mice surprisingly emotive and manages to convey much of their feelings with his pencils. His grasp of action is dynamic and he has a keen eye for detail. Serena Guerra’s colours give the book a vibrancy that lends itself to classic animation.

It is a great triumph of a book that really pushes forward both its overall narrative and its characters. Glass and Santos are a perfect pairing and they make this a joy to read.

SIX SHOOTER RATING – HEADSHOT

VIRGA: SUN OF SUNS #1 – Blind Ferret Entertainment

Written by Karl Schroeder & Jeff Moss
Art by Guy Allen & Michael Birkhofer

Based on the novels by Karl Schroeder, Virga deals with fun sci-fi concepts from the use of gravity to the creation of artificial suns.

Sometimes a new comic book comes out that is a breath of fresh air, Virga is that comic. A science fiction with steampunk elements, Virga is a rewarding read from the get go.

Based on the novels by Karl Schroeder, Virga deals with fun sci-fi concepts from the use of gravity to the creation of artificial suns. In Jeff Moss and Guy Allen’s hands the source material comes alive on the page. Moss doesn’t spoon feed the reader exposition, instead he allows it to naturally flow. The time jumps are handled well and the characterisations are intriguing. Moss’ script has started a lot of wheels turning and he has created a sense of depth to the proceedings, which will draw the reader in.

Guy Allen does wonders in depicting this strange new world. His art is awe inspiring at points and his character work is just as impressive. His clothing designs are also excellent and much like Moss he has added a lot of depth to the book.

This is a comic that seems fresh and distinctive, which is a great thing in a crowded market place. Its beautifully draw and wonderfully written. Its also only a dollar on comixology so go seek it out.

SIX SHOOTER RATING – HEADSHOT

MISS FURY #3 – Dynamite Entertainment

Written by Rob Williams
Art by Jack Herbert & Ivan Nunes

There is some appeal, but Miss Fury is simply a mediocre comic book.

Miss Fury is an average comic let down by some bad dialogue and tired ideas. The inherent appeal of seeing a pulp hero in the present doesn’t justify the title’s existence and our heroine has a somewhat frustrating characterisation.

Williams’ script is littered with clichéd dialogue and the overall plot isn’t exactly exciting. The balance between action and drama is okay, but it isn’t presented in an engaging way. We get to know more about our heroine, but her character in costume is a little annoying due to the bad quipping. The violence on display is in keeping with the pulp style Williams is aiming for, but the tone of the book is all over the place.

It doesn’t help that Herbert’s art is inconsistent as well. His rendition of Miss Fury is solid and the action is kinetic, but the quieter moments need work. His characterisations are serviceable at best. If anything it is Nunes colours that make the artwork. Nune gives the book the right visual tone and it is a plus that he’s on board.

It isn’t inherently bad as a concept, but the execution is lacking. There is some appeal, but Miss Fury is simply a mediocre comic book.

SIX SHOOTER rating – MISS

SHADOWMAN #7 – Valiant Comics

Written by Justin Jordan
Art by Neil Edwards & Brian Reber

The main narrative may not be original, but Jordan infuses it with enough drama to make it appealing.

Shadowman is trundling along nicely from a narrative perspective. The supernatural concept behind the series has enough about it to at least make it interesting.

However the book has a big problem. Neil Edward’s art does hinder the enjoyment of the issue. It is often messy and looks rushed in places. Reber’s colouring is flat, which doesn’t help matters. The art simply takes you out of the narrative.

It is a shame as Jordan does some interesting things here. Baron Samedi is an entertaining pantomime villain and steals the show. The main narrative may not be original, but Jordan infuses it with enough drama to make it appealing. Also there is a sense that the stakes are high and the cliffhanger will have interesting repercussion for the series.

The writing might be solid, but it can’t save the title. The art drags the book down and makes it hard to recommend.

SIX SHOOTER RATING – MISS

ASTRO CITY #1 – Vertigo (DC Comics)

Written by Kurt Busiek
Art by Brent Eric Anderson & Alex Sinclair

This is one for new readers and fans. Busiek is a master craftsman showing what can be accomplished with superheroes and the medium in just one issue.

The return of Astro City has been met with excitement from fans of the original series. The legendary writer seems to be having a ball playing with his old toys and it is a treat to read.

Busiek presents us with a meta-textual narrative that focuses on the civilians as oppose to the actual superheroes. It is a nice way of introducing new readers to the concept and gets the ball rolling. Old fans will find a lot to enjoy here, but it is a refreshing surprise that Busiek delivered something so accessible for new readers. The script is filled with big ideas and concepts, but it is presented in a more personal way. Using the character narration to really define the world in which these characters inhabit.

However Anderson’s art style is a little jarring. This is mainly due to the Alex Ross front cover and the inclusion of hero American Chibi. But on the whole the art is clean and expressive. The art catches your attention in a good way, but the inking is a little off in places. Sinclair’s colouring brings the whole thing to life in a larger than life way, which works well.

This is one for new readers and fans. Busiek is a master craftsman showing what can be accomplished with superheroes and the medium in just one issue. This is impressive stuff.

SIX SHOOTER RATING – HEADSHOT

Verdict

Well three headshots means that this is a great week. Mice Templar, Astro City and Virga show off what the medium can achieve in the hands of great creators. Two books suffered from poor execution and the worst of the bunch has collapsed under its own weight. But lets declare this week a win for us readers!

Do you agree with the reviews? Did we get them wrong or right? Have any suggests on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183

Welcome to the very first 6 Shooter where the comics will be awarded with a Headshot, Hit, Miss or the dreaded Misfire!! Follow our rating system to see what they get.

Welcome to the very first Six Shooter! This is a weekly column that will review six specific comics. Big new releases, small interesting titles and random curiosities. All will be looked at. The way it works is that there will be a brief review of the comics followed by our rating system. So going with the gun theme our ratings are:

Headshot (Best of the week)
Hit (Read)
Miss (Don’t Read)
Misfire (Worst of the week)

As it’s the first ever Six Shooter it would seem prudent to focus this edition on First issues. Thankfully the gods of comics where smiling down on us and we actually have six new number ones (we cheated as one of them is a one-shot) to review.

But before we carry on we would like to give a big shout out and thank you to Twitter friend @Hulksmash1985 for coming up with the column’s name. Go, follow him because he’s awesome. So without further ado let’s review some comics!

CLIVE BARKER’S NEXT TESTAMENT #1 – Boom! Studios

Written by Clive Barker & Mark Miller
Art by Haemi Jang

A long time ago Clive Barker was a master of horror with Hellraiser being his crowning achievement.

A long time ago Clive Barker was a master of horror with Hellraiser being his crowning achievement. However the years haven’t been kind to Barker’s brand and his recent works seem desperate to catch the same lightning that made him famous. From this issue it doesn’t look like Next Testament will help him reclaim his former glory.

The basic concept of a man obsessed with an otherworldly power (this time a colourful god) is a solid starting point. But it isn’t presented in a compelling way.

The comic itself is rife with used ideas and themes. This isn’t a problem per say, but the familiarity to it all makes for a dull read. The basic concept of a man obsessed with an otherworldly power (this time a colourful god) is a solid starting point. But it isn’t presented in a compelling way. Barker and Mark Miller (not that Millar) set up the narrative whilst leaving a few mysteries for a later date. So they at least achieve on delivering what an issue one should do, but it is a shame that it is all a bit pedestrian.

Thank god for Haemi Jang. His art gives the comic a great visual identity.

However thank god for Haemi Jang. His art gives the comic a great visual identity. The colour work gives the book a realistic tone, whilst the shading adds visual horror elements. His characters are expressive and well detailed and the god in question is a striking image. He frames the narrative as a film with widescreen panels and close ups. The book looks great.

It is a shame then that the narrative is so mediocre. Although the art is great it isn’t enough to entice you into continuing with the series.

MISS

THE WAKE #1 – DC Comics

Written by Scott Snyder
Art by Sean Murphy & Matt Hollingsworth

Scott Snyder takes a break from Batman to create The Wake. We have science fiction, a few flashes of horror, human drama and so on.

Scott Snyder takes a break from Batman to create The Wake. It’s a comic that traverses a lot of different genres. We have science fiction, a few flashes of horror, human drama and so on.

The main focus of the narrative is a little familiar. A group of specialists are brought together to figure out what has been found in the depths of the ocean. Yes, it’s the same plot from a plethora of films and Snyder doesn’t really attempt to distance his tale from its influences.

Yes, it’s the same plot from a plethora of films and Snyder doesn’t really attempt to distance his tale from its influences.

But the narrative also has some more interesting elements. Bookending the issue with two different time periods opens up the narrative and creates a good sense of mystery.

But the book’s focus is on the familiar. Even the main cast are the usual suspects for this type of story. Our main protagonist has a few flashes of originality though, which is promising.

Joining Snyder on this book is Sean Murphy. His style is a little rough in places, but overall his line work is detailed. The problem is that the visuals are big and cinematic, which in turn reminds the reader that this idea has been done before. But Murphy does deliver the right tone for the first chapter of the story and gives the book a great look.

You can see the sparks of something interesting, but the main thrust of the narrative is your run of the mill science fiction setup.

The Wake is somewhat frustrating. You can see the sparks of something interesting, but the main thrust of the narrative is your run of the mill science fiction setup. However as a first issue it is interesting enough for readers to come back for the next instalment. Also if you are a fan of these particular tales then you’re sure to enjoy this.

HIT

KING CONAN: THE HOUR OF THE DRAGON #1 – Dark Horse Comics

Written by Timothy Truman
Art by Tomás Giorello & José Villarrubia

There is something inherently charming about Conan.

There is something inherently charming about Conan. Robert E. Howard’s pulp creation has an enduring legacy and his recent resurgence in the comic book medium has been a joy to read. However it would seem that this latest title bearing the Cimmerian’s name doesn’t exactly set off on the right foot.

Timothy Truman decides to frame his story as a tale told by the great King himself. It isn’t a bad narrative device, but it does give the first half of the issue a leisurely pace. Add to this an overabundance of exposition and the plot barely seems to move forward. Truman might set up the world and all the players of his narrative, but it is to the detriment of the issue.

The biggest plus of the book is colourist José Villarrubia. His colours have a grain to them that dates the art in a satisfying way. The shading of the art also makes the book quite striking visually.

Tomás Giorello has a nice rough style that really suits the sword and sorcery setting. But he isn’t really given much to do due to the fact a lot of the scenes are just people talking. But the biggest plus of the book is colourist José Villarrubia. His colours have a grain to them that dates the art in a satisfying way. The shading of the art also makes the book quite striking visually.

But the book doesn’t really grab your attention. The heavy exposition within this issue maybe necessary, but doesn’t really make for an entertaining read.

MISS

X-MEN #1 – Marvel Comics

Written by Brian Wood
Art by Olivier Coipel, Mark Morales & Laura Martin

It would be cliché to say, “Believe the hype,” but Brain Wood and Olivier Coipel have delivered an impressive opening issue.

It would be cliché to say, “Believe the hype,” but Brain Wood and Olivier Coipel have delivered an impressive opening issue. It is the combination of great writing and excellent art that manages to elevate this title above a simple X-Men tale.

The return of one of the X-Men’s most intriguing villains brings about a new threat that decides to possess a character long forgotten. It is a simple setup that uses the reader’s familiarity with the book’s cast to great effect. However it is fine for new readers to jump on-board. Wood uses a bit of exposition to get readers up to speed, but it doesn’t overwhelm the book. His use of characterisation helps him to establish the cast, with the crisis on the train being the best example of this.

Olivier Coipel’s art is simply gorgeous. Dynamic action, expressive characters and clean presentation make this a visual treat for the reader.

Olivier Coipel’s art is simply gorgeous. Dynamic action, expressive characters and clean presentation make this a visual treat for the reader. Laura Martin’s colour work brings the whole thing to life. Her use of vibrant colours just makes the art pop off the page.

With the writing delivering an interesting plot with a lot of character work and the art giving the book a stunning visual identity, X-Men #1 is the sort of high quality comic that X-Men fans deserve.

HEADSHOT

TRANSFORMERS PRIME: BEAST HUNTERS #1 – IDW Publishing

Written by Mairghread Scott & Mike Johnson
Art by Agustin Padilla & Priscilla Tramontano

The dialogue in this book is excellent. The characterisation is pitch perfect and really suits the narrative. It may not be the most interesting plot, but at least its backed up with great character work.

A spin off from the TV show of the same name and a continuation from the last Transformers Prime comic book series, this title once again focuses on the Dinobots.

First and foremost this title is geared towards readers of the previous series and Transformers fans. There isn’t much here for the new reader. Scott and Johnson do explain away the situation, but there is a clear sense that certain plot points are missing. However saying that the dialogue in this book is excellent. The characterisation is pitch perfect and really suits the narrative. It may not be the most interesting plot, but at least its backed up with great character work.

As for the art Padilla’s depiction of the Transformers isn’t as busy as a Michael Bay film, but there is something inherently simplistic in his designs.

As for the art Padilla’s depiction of the Transformers isn’t as busy as a Michael Bay film, but there is something inherently simplistic in his designs. The clean work is serviceable and Padilla does his job well. Tramontano’s colour work doesn’t really help as the muted tones make the book look bland.

It isn’t a waste of time, but the character work and dialogue isn’t enough to recommend this to anyone other than a fans of the previous series.

MISS

GRIMM FAIRY TALES PRESENTS REALM KNIGHT (One-Shot) – Zenescope Entertainment

Written by Pat Shand with Joe Brusha
Art by Noah Salonga & Wagner Souza

This sexy reinterpretation of fairy tale and folklore characters is a good hook.

This is a done-in-one comic that is clearly geared towards bringing in new readers and setting up upcoming Grimm Fairy Tale series. However if you are not familiar with this particular brand then you will be lost here as someone forget to tell Shand to cater for new readers.

This is a comic that is clearly tailored to its own fanbase and although the narrative isn’t difficult to follow there is the sense that new readers will be missing something. This sexy reinterpretation of fairy tale and folklore characters is a good hook. With each one having new backstories, skills and powers. But the presentation of them is a little pedestrian at best. Most of the page count is just banal chatter from the characters and seems a bit of a waste of time. Especially when the purpose of the issue is to set up a team of “highborns” (heroes) to defend their modern day realm. The dialogue is forced and the jokes fall flat as Shand basically borrows plot points from the recent Avengers film.

The inherent overt sexual nature of the protagonists is captured well, even if it is totally ridiculous (especially the armour).

The art team do well even if the change of artist halfway through is a bit jarring. But Salonga and Souza give the characters and the book a decent look. The inherent overt sexual nature of the protagonists is captured well, even if it is totally ridiculous (especially the armour).

If you’re a fan of Grimm Fairy Tales then this is for you. It is clearly an important issue when it comes to the Grimm universe’s continued narrative. However if you have never picked up an issue of Zenescope’s sexy interpretation of these characters then you should probably avoid this. As a comic in its own right it gets a lot wrong, even if the art isn’t all bad.

MISS

VERDICT

Well Marvel’s re-launch of X-Men was easily the best comic of the bunch. But The Wake has the potential to be an interesting read. A few too many misses this week though, but no misfires so that’s a bonus.

Do you agree with the reviews? Did we get them wrong or right? Have any suggests on what we should review next week? Get in touch in the comments section.

For more comic views and reviews follow Dan on Twitter at @gizmo151183