Nevertheless, some had to go and here is where tough decisions had to be made.
Recently, I have been successful in getting myself a new job. Now, whilst this is cause for mucho celebration, and with it comes a higher salary, it does mean, that for the next 2-3 months, my finances will be stretched like never before.
Sadly this has meant I have looked at my monthly comic list in the hope I can reduce the number to something a bit more acceptable.
Before this attempted cull, my monthly list was around 35 however this doesn’t take into account that several of these were Marvel titles that are released every 2-3 weeks. With that in mind, I was probably nearer 40 a month. Nevertheless, some had to go and here is where tough decisions had to be made. Looking through my list, I realised I was hanging on to titles out of habit and had no real reason to hold on to them.
When I first started collecting comics, I only looked at DC titles. Thankfully, I eventually opened my eyes and now pick up many others, mainly from Marvel and Image. With my selection range widening, it does mean I have to be more selective in which ones I hold on to. For example, my intention is to hold on to only the mainstream DC / Marvel titles in order to keep up to speed on their top-level story arcs. With that in mind, there were some titles that were easier than others to cut.
Each of my comics made good arguments however the following are now gone.
X-MEN LEGACY – this has probably been one of the better Marvel NOW titles and has benefited from doing its own thing, not being too involved with the rest of the Marvel universe. However, that has also been its downfall in that it doesn’t feel like an ‘important’ title.
X-Men Legacy – This has probably been one of the better Marvel NOW titles and has benefited from doing its own thing
DETECTIVE COMICS – maybe more experienced readers could clear this up for me however I get the impression Detective is not held in as high regards as perhaps it once was. Whilst Snyder’s Batman has received deserved praise, it has resulted in Detective becoming almost insignificant in the grand scheme of things. In the New 52, none of the arcs have felt compelling and these have had to be paused for tie-in issues to Snyder’s Court of Owl / Joker storylines. Even with Snyder leaving present day Batman to concentrate on Zero Year, I’ve decided Justice League can fill the hole now left by Detective.
BATMAN AND ROBIN – this is the second time B&R has been dropped. With Robin’s death, I thought the constant changing of companion would create interesting pairings I hadn’t seen before, creating some intriguing new dynamics. Whilst this has been the case, I can only take so much of Batman moping around, acting depressed over his son’s death. Because of his loss, the tone of the title has been dragged down for too long. The ‘silent’ issue after Robin’s death was fantastic but it has gone on for too long.
Batman and Robin – I can only take so much of Batman moping around, acting depressed over his son’s death.
WORLDS FINEST – again, the second time this has been dropped. I have held on to this title waiting for the eventual coming together of Earth 1 & 2, expecting a great pay-off. Sadly, this has still to happen and I will hang on to Earth 2 to keep this part of the DC Universe in my collection. Plus, is it me or is Earth 2’s Supergirl far too arrogant and cocky to be a title character?
GREEN LANTERN: NEW GUARDIANS – this was dropped a couple of weeks ago however it is back on my list after reading positive reviews of #21, the first issue under new writer Justin Jordan. It is still on shaky ground as the title has struggled to maintain any form of consistency with its direction. Team members come and go, the reason for their formation changing, it makes me forget how they all got together in the first place.
Green Lantern: New Guardians – Team members come and go, the reason for their formation changing, it makes me forget how they all got together in the first place.
SUICIDE RISK – I bought #1 of this title purely of its premise of police fighting a losing battle against super-powered villains. It was unlike anything else in my collection and all was going well until the last few pages reveal the lead cop be infused with super powers. In my opinion, this contradicted the basic selling point of the comic. The good guys were not supposed to have powers. It may seem like a minor complaint but I lost interest after that.
JIRNI – I can’t remember why I selected this in the first place. #1 was the re-telling of a generic fantasy story told a hundred times before. See ya!
Jirni – I can’t remember why I selected this in the first place.
Whilst I was quite happy with getting my list into the 20’s, the past few weeks have seen new additions in Image’s Sheltered and Lazarus. Image have an annoying habit of releasing a steady flow of new titles of high quality and, even though some people have criticised them given how many dystopian titles they have, this doesn’t concern me at all.
Yes, the likes of Walking Dead, East of West, Sheltered, and Lazarus have similarities however that has not prevented them from being highly creative titles that are of better quality than the majority of generic DC / Marvel titles.
Thankfully, some of my titles are mini-series (Thanos Rising / Storm Dogs) and they are due to end soon.
It was only with this recent financial clamp-down that I have seen the hard part of comic reading as the likes of crossovers and new titles make it extremely difficult to keep a lid on things.
The person I feel worst for is my comic book guy as I send him revised lists every few weeks which probably makes his life a living hell!
You can follow Stuart on twitter @Martel_79 or check out his website theonlywayisgeek.blogspot.co.uk/ for more comic news and views!
Posted on July 28th, 2013
Category: NEWS & VIEWS, THE ONLY WAY IS GEEK
Tags: Batman And Robin, Comic Reviews, DC Comics, Detective Comics, Green Lantern New Guardians, Jirni, marvel comics, Stuart Ingram, Suicide Risk, Worlds Finest, X-Men Legacy
By Kulbir Mann
Batman and the Joker are one of the greatest all time superhero villain combinations. Their names are etched in comic folklore stone. Where do you begin to explain how they work and why they work so well with each other? There are books written on the matter and there are countless works of comics, cartoons and films depicting the subject. Put simply, Bruce took on a persona to instil fear into the villains of Gotham and the Joker is Gotham underworld’s response to Batman. Is a killer clown any more or less ridiculous or crazy as a man dressed as a Bat trying to fight crime? Of course not. Regular street crime and villainy is no match for Batman and so new criminals are born and wander into the fray for the challenge.
Enter the Joker. His insane genius is so incomprehensible that a detective will not be able to piece together the clues in his mind.
Enter the Joker. His insane genius is so incomprehensible that a detective will not be able to piece together the clues in his mind. It is difficult to remember that Batman is primarily a detective even though he has a ridiculous amount of other skills. Unfortunately that is not enough to fight the Joker, which appears a ridiculous statement as Batman always wins. However there is a cost to these victories: namely to the ones Batman holds dear. Batman’s second Robin, Jason Todd was brutally murdered, Sarah Gordon, Jim Gordon’s wife was also hideously killed, Barbara Gordon, Jim’s daughter was left paralysed and he almost sent Jim to Arkham asylum. The amount of times Joker was arrested and sent to Arkham only to escape and kill is immeasurable. The only way to stop is to prevent his fleeing incarceration or simply to kill him. Batman does not kill and therein lies the problem.
The Joker adores Batman and has no immediate wish to kill him. He is a bored man and finds the Bat incredibly amusing and loves to torture him. The Joker has described Batman’s eventual death as a work of art that needs to be planned in order for it to be fitting of the icon. There was even an episode of the animated series where the Joker stops Batman from being killed because the death scene was not amazing enough. He also knows that Batman does not kill and eventually he will always be free to inflict suffering on him. All Batman can do is try to outthink his eccentric mind and catch him again before another loved one is hurt. As complex a hero villain complex as this is, there is only one man who suffers and that is Bruce Wayne.
The Joker adores Batman and has no immediate wish to kill him. He is a bored man and finds the Bat incredibly amusing and loves to torture him.
Joker has been away. He was only in one issue of the first year’s worth of new 52 comics and that was Detective Comics #1. This featured a break into Arkham asylum in order to meet the Dollmaker, who gave him the ultimate disguise: he removed his face. A disgusting final page showed Joker’s skin pinned to a wall and that was the last we heard of him, until now. The Death of the Family has begun and the Joker has returned to Gotham ready to inflict pain on Batman again. The title suggests that there will be more death and destruction to the people Bruce holds close. What is his current motivation and why has he returned now after a year? In order to answer this question we need to look closer at his comic book return.
This featured a break into Arkham asylum in order to meet the Dollmaker, who gave him the ultimate disguise: he removed his face.
There are a few obvious truths to the return of a homicidal megalomaniac with delusions of grandeur. He has to be the most feared and hated villain irrespective of Batman. He is a son of Gotham returning to reclaim his throne and he alludes to this many times when confronting Batman and the Gotham police. He also stamps his role when meeting with the Penguin, where he places himself as a prime suspect for thug murders. He barters with Cobblepot in order to manipulate him into performing a favour. Once again outthinking and positioning himself above the Penguin in the super villainy stakes. The Joker is jealous of the troubles inflicted on Batman from the court of owls, making two separate mentions of it. He is irate that Bruce struggled so much and genuinely thinks he should have managed better. The Joker wants to be his toughest villain, not some old owls. Finally I think he just missed the place and running amok around the city.
The Joker has an interesting ideology when it comes to Gotham and Batman. Batman is the Godking of Gotham and organised crime is Batman’s purpose in life. The thugs fear the bat insignia and it’s meaning, escalating Bruce to mythological status. Successfully completing a crime is the reward; it means that you have evaded the bat, let alone the booty itself. The Joker compares this to a worship like practice and Cobblepot is in charge of the offerings. There is a lovely line that states that the Penguin is the bishop in Batman’s dark kingdom. As Batman feeds on all of this crime he is satisfied he is doing his job. He is kept busy and Gotham has its champion, its king. These villains are fulfilling a role but they are simple folk, not like the Joker, not like him at all.
The Joker compares this to a worship like practice and Cobblepot is in charge of the offerings.
The Joker is special. He is Batman’s enemy and his nemesis and that relationship is special to him. When he talks to Batman he does so with emotion and sentiment, which is easily disguised with his crazy grin and laughter. The Joker has gone to a lot of effort in his return, just for Batman. He has gotten his face back, because it is who he is and he needs to be seen again, even if it means using a belt to fix his face in place. He does not want to remain unrecognisable because the world must know what he is doing and how well he is doing it. He uses an analogy of the play My King and I to describe his relationship with Bruce. It’s an interesting reference to a show about a couple being on opposing warring factions. The man and woman eventually understand one another and only then are able to share their feelings with a single dance. The Joker understands Batman’s mentality and holds him dear. He is his jester and no one else can take his role. He wants to dance with him again. The Joker takes great lengths to re-enact the evolution of their relationship, as he recreates his first kill and one of the earliest Batman meetings on a bridge at the Gotham reservoir. Batman says, “You’re nothing to me” and the Joker replies, “Shhh. Don’t do that, don’t pretend, not here, not to me.” These are amazing lines showing how upset Joker becomes when their relationship is belittled.
The Joker takes great lengths to re-enact the evolution of their relationship, as he recreates his first kill and one of the earliest Batman meetings on a bridge at the Gotham reservoir.
Batman has changed. He has a large support network and family. He is no longer a lone warrior patrolling the night and this irks the Joker. The true villains of Batman are the company he keeps and they have ruined the Joker’s dear king. He states that Batman has become soft and fat because of his poor efficiency when handling the Owls. The Joker expects more maybe because no one else is allowed to be a bigger threat. He misses the real Batman and is angry he has become weak and dependant. He needs Bruce to be stronger and be more of a challenge and therefore he needs to eliminate his family. His dialogue during the two issues is very protective of Batman and hating to all his associates. The city deserves a better Batman and he is going to return him to full glory.
He needs Bruce to be stronger and be more of a challenge and therefore he needs to eliminate his family.
Where do they go from here? Clearly the crossover will involve many titles and many bat family members. If Joker had his way they would all be killed leaving Batman to himself. I imagine he would try to torment him for as long as possible in his strange bad romance fantasy until he mentally breaks. We know that is unlikely to happen and that Batman will win outright and probably send him back to Arkham. It is the status quo as I alluded to above, but there will be a change, and it is likely someone will die or be irreparably damaged. I hope the Jason Todd storyline will be well handled given he died at the Joker’s hands once before and is not as moralistic as Batman. Whatever happens once again Bruce will be left with the guilt of an injured or dead loved one and I wonder where it will take him. What roads will he travel that he has not travelled before? He has a huge family with his world of Batmen, which need support and continued motivation, so that cannot be changed. The Joker will remain to fight another day but Bruce will bear the consequences again and I am interested to see another scar added to his brutally abused mind.
For more comic views and reviews follow Kulbir on Twitter at @Kooliebear and check out his website over at houseofflyingscalpels.com
Posted on November 23rd, 2012
Category: DEVIL IN THE DETAIL, NEWS & VIEWS
Tags: Batman, Batman Review, Bruce Wayne, Comic Reviews, DC Comics, Detective Comics, Devil in the Detail, Greg Capullo, Joker, Kulbir Mann, Nightwing, Red Hood, Red Robin, Robin, Scott Snyder
By Sean Favager
Sean takes a break from eating and relaxes with a comic!
Hello Puddings welcome back to the Comic Asylum… Normally I would ramble on about how I am and what’s been going on but not this week. This week I will be jumping both feet first into the title subject. Friday just gone my issue of Batman #13 turned up. I was late getting this issue for the fact I have happily been reading Detective Comics and was unsure to the fact I wanted my bank balance to collect two Bat books at a time. So as I’m reading about the Doll Maker and the Joker, people who were collecting Batman were given the Court of Owls. All anybody did on the internet was heap praise after praise on this storyline which I have to admit I did toy with jumping on but sat back and stuck to my guns with Detective Comics. Then the bomb was dropped, with the COO Storyline coming to a close, Team Snyder’s next storyline would be called ‘Death of the Family’ and starring none other than Mr J. I could not stick to my guns any longer and that was simply because I wanted to know how they would go about using the Clown Prince of Crime as the main villain, when in Detective Comics we witnessed the Doll Maker remove the Jokers face. So my hand was forced and I ordered a copy of Batman #13. As I said before it arrived the Friday just gone, the first thing I did was open it up and laugh at the Joker mask cover. I never got round to reading it till the Saturday, I actually put it midway in my comics pile. To me this book wasn’t vastly important as I said before I have been collecting Detective Comics. So I went about reading through my Green Lantern back issues, I finally got to the Batman book the world is talking about, and all I could think at this time is I was going to hate it. It is so hard to get into something once it has been hyped up so much by so many people. Something inside your head just automatically wants to be different and not like whatever is being force fed to you. So as I opened up and started to read I’m going to admit I really wanted to hate this book, but I couldn’t… The more I flicked through the pages the more I got engrossed in this book, and I have to say it has been a very long time I have been this into a comic where for that 20 minutes whilst reading nothing else matters but the words and pictures on the page before my eyes. Finally I got to the end and I had this feeling in my stomach I have never ever had when reading a comic or even a normal book for that matter. It was the feeling of dread and horror. It was that feeling you get after watching a scene from a movie that is so disturbing you want to look away but can’t. It was the last couple of pages that really stuck with me even a day after reading this comic book, and it was the last couple of pages that turned this story upside down…
Then the bomb was dropped, with the COO Storyline coming to a close, Team Snyder’s next storyline would be called ‘Death of the Family’ and starring none other than Mr J.
I text @Pete_the_Red the next day after reading this and told him he needs to read this book. I even went on to describe it as possibly being the most ‘iconic comic book of our generation’. His reply was that was a bold shout and the more I think about it the more I honestly think it is a true statement. A couple of weeks ago I listened to the podcast Fat Man on Batman hosted by Kevin Smith and during it he went into great length about what the Dark Knight Returns meant to him and how it was quite possibly the best Batman novel ever. We all understand it was that book that changed the course of how the Dark Knight was told on pages and even in movies. The Killing Joke is another iconic Batman book that changed the way people looked towards the Joker, a book that really solicited how deranged and crazy Mr J is. Then in film we had Tim Burton’s Batman, the darkest this character has ever been portrayed in film. This carried on into the Animated Series, yes it had to be touched down for children but still it produced some of the best Batman stories told. Unfortunately just like any other franchise the suits find ways to ruin it and they wanted child friendly films to boost toy sales so we were given Batman Forever and Batman & Robin. Now we can watch them films when they are shown on television and howl at how bad they are simply for the fact we know what comes after. Warner Brothers decide to blow off the dust and reboot the Batman by handing it to Christopher Nolan. What he gives us is the Dark Knight Trilogy and he makes it even darker then Tim Burton’s Batman and Batman Returns. Which leads me onto the point of when they finally decide to reboot the Batman again how dark do they have to make it? Will Batman have to go on a killing spree for people to go wow the Dark Knight trilogy sucked ass compared to this…
The Killing Joke is another iconic Batman book that changed the way people looked towards the Joker, a book that really solicited how deranged and crazy Mr J is.
All these questions and so much more kept rolling through my head right up until I finished reading Batman #13. It wasn’t about what Batman had to do to please us, Batman is Batman, he has his code and rules and that will never change. No matter what challenges he meets he overcomes them. It was always going to be about how his villains evolve in a means to beat him. With ‘Death of the Family’ it is the Joker who evolves and it is this character that crosses the line of no return. I went on twitter and tweeted a quote from the book on Saturday when Harley Quinn is talking to Batman, “He’s not the same Bats. He’s not my Mr J. anymore…” I think this might be the best line from the book. When we find out the Red Hood isn’t the Joker but Harley and she traps Batman she screams this to the Dark Knight. She follows this quote with “What he’s going to do to you… His plan… I can’t…” it is this conversation that really sets the tone of what kind of Joker we will be seeing in the weeks to come. These words are coming from the mouth of someone who over the years has been so faithful to her pudding that she would do anything for him. We have watched and read and even laughed at the way Joker treats Harley Quinn and the way she keeps running back to him but this time it’s completely different, and it’s here to see as she removes the red hood. She has makeup running down her face as Batman pleads to her to tell him where the Joker is whilst trapped inside a drum that is filling with liquid. This scene is so simple yet so effective because of whom the characters are in it. If this was anyone other than Harley Quinn it would just be another scene where Batman is trapped for the time being…
I went on twitter and tweeted a quote from the book on Saturday when Harley Quinn is talking to Batman, “He’s not the same Bats. He’s not my Mr J. anymore…” I think this might be the best line from the book.
What comes next is part one of the Jokers plan and it really is a shocker, as we finally get to see the Clown Prince of Crime with his face attached by a belt to his head. What really takes away from the image of how revolting it looks is what he does and that is takes a hammer and goes after Alfred. We learn about a two headed lion early on in the book and as it comes to a close Alfred hears a scratching noise at the front door of Wayne manor, he opens the door to see this lion standing there. As he looks in sheer confused state the Joker is behind, hammer in hand. We do not get to see the attack, the imagination takes over and that’s the powerful thing about this part. Its open for you to imagine and feel the terror of what is about to happen but what really did not sink in until the second read was, why has the Joker gone after Alfred? Does he know who Batman is finally or is this just a random attack? As we all know nothing is ever random with the Joker. He may come across as a crazy bastard but he always has a plan or trick up his sleeve. It is a really good cliff hanger and you do really want more but it is what follows next that really defines the Joker…
As he looks in sheer confused state the Joker is behind, hammer in hand. We do not get to see the attack, the imagination takes over and that’s the powerful thing about this part.
The flashback titled ‘Tease’ is six pages long and the most disturbing Joker has ever been that I can think off. If you would have ended the book with the hammer scene that would have been fine, the interaction between characters I explained above really tells the story, it is this flashback that completes that story. What we get is the first interaction between the Joker & Harley Quinn before she traps Batman. Harley stands in a dark room under a light as the Joker hides in the shadows, she explains she has missed him and wants to see him but the Joker just stays in the shadows. I stated earlier on about how we have all enjoyed the Harley/Joker relationship but it is within these six pages it doesn’t become enjoyable anymore. I found I really began to feel sorry for Harley because this wasn’t the Joker of old, as she asks him “What do you want me to do?”. From the darkness the reply is “Take off your clothes.”. Now this really shocked me. It shocked me because as she did so she spoke out to him with another question to no reply. It wasn’t until she asked where he was that he threw the suit at her and said put these on. That pause of him not talking is so creepy that you can’t help but think that maybe in the shadows he is getting a kick out of the power he has over Harley that she will remove her clothes at his order. It feels that he is so caught up in the moment of watching that he doesn’t hear her the first time she speaks out and that really adds to the creepiness and feeling of dread to this flashback. As she puts on the Red Hood suit Joker goes on to explain how he turned a normal person into his monster as you can see Harley look on really confused. She finally understands he wants her to look like him as Joker holds up a knife to her face saying the only thing missing is her face must go…
Now this really shocked me. It shocked me because as she did so she spoke out to him with another question to no reply. It wasn’t until she asked where he was that he threw the suit at her and said put these on.
This is where the art really stands out because the fear in Harley’s eyes leaps from the pages as Joker explains to her how painful the procedure is going to be. For all the bad Harley Quinn has done you cannot help but start to feel scared and even sorry for her. It is now the Joker is really starting to abuse the power of control he has over this woman and he does it in the most shocking way by watching her undress from the shadows and then talk about removing her face. As we know the removing of her face is a tease as he places the Red Hood on her it is the way he goes about it. You can see she is terrified of him almost to the point she doesn’t want to do it yet like a victim she just closes her eyes. Now we understand how powerful the quote I put up on Twitter from this book is. This is a completely different Joker to what anybody is used to and if it can shock a huge Batman fan in myself and leave me with so many unanswered questions you know you have something quite special in your hands. If this book is anything to go by we the fans are in for quite the horror story because that’s what I believe we have stepped into.
For all the bad Harley Quinn has done you cannot help but start to feel scared and even sorry for her.
I asked how dark Batman would have to get to top the Dark Knight Trilogy earlier on. The answer lies within the pages of Batman #13 and I think it will be a long time before another comic can even be placed in the same bracket as this gem.
You can follow Sean on Twitter at @seanfav1 or catch him on the official Comic Asylum account @Comic_Asylum
Posted on November 1st, 2012
Category: REVIEWS, THE COMIC ASYLUM
Tags: Batman #13, Batman #13 Review, Comic Asylum, DC Comics, Detective Comics, Greg Capullo, Harley Quinn, Joker, Pete Barrington, Scott Snyder, Sean Favager, The Dark Knight, The Dark Knight Rises
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